Sugar and Spike #84

Sugar and Spike #84 (On Sale: June 17, 1969) has a cover by Sheldon Mayer.

Inside we have "Bernie the Brain's Biggest Blunder" written and drawn by Sheldon Mayer.

Edited by Murray Boltinoff.

Star Spangled War Stories #146

Star Spangled War Stories #146 (On Sale: June 17, 1969) has an Enemy Ace cover by Joe Kubert and a declaration that this is a "Special Issue!" That is of course DC talk for reprints!.

There is a very short Joe Kubert drawn framing sequence around the two reprints regarding a new pilot who, as von Hammer puts it, is "mistaken...if you believe only you live in fear of the killer skies!" The first is (Balloon for a Hawk) from Our Fighting Forces #60 by Bob Haney and Russ Heath and concerns the first American to fly with the French. The unnamed Lieutenant plays a bar-room game his first night in France with the French pilots where they throw darts at balloons representing the Germans. The Lieutenant hits the balloon representing the German ace known as the Hawk. But real combat proves more difficult and on his first mission he is shot down by the Hawk, barely making it back to the field before crashing.

When he recovers he is grounded by the French Colonel. But one day, as a Spad is landing The Hawk shoots it down and the Lieutenant leaps for a nearby plane and gives chase. However, the Hawk is a better pilot and slowly lures the Lieutenant's plane over his own filed where he shoots it down and he is taken prisoner. He makes a run for it and hops into a hot-air balloon used to guard the field against strafing. He casts off and is soon facing down the Hawk again, balloon against Fokker. The balloon eventually catches fire and he once again plummets to the ground, only the torn balloon gets caught in a tree breaking his fall and as the Hawk moves in for the kill, the Lieutenant fires the balloons guns and blasts the Hawk out of the sky.

The second is "Brother Enemy" from All-American Men of War #101 by Hank Chapman, Ross Andru and Mike Esposito. This story begins with the sinking of Titanic and identical twins Richard and Carl being put on separate lifeboats, while their parents perish. They never do get back together and five years later Richard joins the Air Force and hopes to find Carl also in the service. Everywhere he goes he asks if anyone has seen someone who looks exactly like him, but they always answer in the negative.

One day in a bombing run over Germany Richard gets into a dogfight with a German Black ace, Richard's gunfire rips into the German's cockpit splattering oil into the face of the German ace, who rips off his goggles to see and Richard finds himself looking into his own face. The German ace is his brother Carl. Richard pulls off the fight and lets Carl get away, but back on the ground his loyalty is questioned. On their very next mission they meet the Black Squadron again and this time it is Carl who sends bullets into Richard's cockpit, shattering his goggles. When Richard takes them off Carl sees that it is his brother and this time he is the one to pull out of the fight. He too is reprimanded when he lands.

The next day the two squadrons meet for a third time in the killer skies and Richard and Carl go after each other with everything they have, eventually both running out of bullets. They play a dangerous game of chicken in the air and neither pulls out. Their planes crash into each other. Carl is knocked unconscious and Richard leaps to Carl's disabled plane and while the two squadrons watch, they fall to the ground. Two battered figures crawl from the burning remains and embrace each other as the brothers they are.

Edited by Joe Kubert.

Metal Men #39

Metal Men #39 (On Sale: June 17, 1969) has a cover by Mike Sekowsky and George Roussos.

The Metal Men star in the book-length story, "Beauty of the Beast" written and penciled by Mike Sekowsky and inked by George Roussos. The Metal Men's billionaire benefactor, Mr. Conan, purchases Magna Studios and has the Metal Men help in the filming of a horror movie. Tina is selected to star in the movie, but is soon abducted by a monster.

While the Metal Men search the studio for Tina, the monster is telling her that he was once Hugo Stark, a movie star who was horribly disfigured in an accident. Since then, he has been living at the studio, which was abandoned at the time. When the Metal Men locate Tina and Stark, Tina tells them to stand down. However, when the police arrive, Hugo runs away and is killed when the studio is set afire.

Tina distracts the police while the Metal Men cover up the evidence of their true identities. Mr. Conan then arrives with news concerning Doc Magnus. This story continues next issue.

Edited by Mike Sekowsky.

Falling In Love #109

Falling In Love #109 (On Sale: June 17, 1969) has a cover inked by Vinny Colletta.

We begin with "Diary of a Love Thief" penciled by John Rosenberger. Next is "The Last Bridge to Romance" inked by Vinny Colletta. That is followed by "Only in My Dreams?" inked by Bernard Sachs and reprinted from Secret Hearts #36. We end with "I'll Never Forget That Day" by persons unknown.

Edited by Murray Boltinoff.

Debbi's Dates #3

Debbi's Dates #3 (On Sale: June 17, 1969) has a cover penciled by Samm Schwartz.

We begin with "Buddy Gets the Cake" drawn by John Rosenberger. That is followed by two more Debbi's Dates stories, "That's the Way the Rock Crumbles" and "When All the Votes Are Out" of which I have no information.

Edited by Dick Giordano.

Running Late

I've been a bit behind this month in getting the entries up. There are a couple of reasons for this, but one of the main reasons is that I am hitting a stretch of comics with very little information available on-line. I get most of what I post from the Grand Comics Database, Mike's Amazing World of DC Comics or the DC Comics Database. To that basic information I add my own personal recollections and observations. Sometimes I have to do a Google search for a specific issue as I find nothing on a particular issue, story-wise, at any of these sites. That is happening more and more frequently as we hit the middle third of 1969.

What I have done to rectify this lack of information is start pulling out my old books. Some of my collection is easy to get to and some is not, but I have pulled a number of titles from 1969 out and have begun rereading them so that I have something to put into these entries. You can pretty much pick those books out; they are the ones where I get wordy. I find it hard to cull a book down to a few short sentences, so I tend to ramble on somewhat. You will also notice that I am going back in some cases to books from April and May and adding in the storyline as I find the book and reread it.

I hope that the readers of this blog appreciate the extra effort here, just know that sometimes that extra effort results in the listing going up 40 years and a few days later.

Young Romance #161

Young Romance #161 (On Sale: June 12, 1969) has a cover penciled by Arthur Peddy.

We begin with "Dance with Me, Darling" a reprint from Secret Hearts #38 inked by Bernard Sachs. Next is "Heartbreak" inked by Vinny Colletta. That is followed by "Teen-Age Queen of the Year" penciled by John Rosenberger. We end with "My First Love Was My Last Love" also penciled by John Rosenberger.

Edited by Joe Orlando.

World's Finest Comics #186

World's Finest Comics #186 (On Sale: June 12, 1969) has a cover by Carmine Infantino and Neal Adams.

We begin with Superman and Batman in "The Bat Witch" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up is a Johnny Quick reprint from Adventure Comics #202 "The Human Hot-Rodders" by Otto Binder and Ralph Mayo. Death row inmate Bull Barton is scheduled for execution. His gang begins a series of bizarre robberies involving ordinary animals; sometimes they steal the animals, other times they leave them behind. Johnny Quick uncovers their secret code to Bull, alerting him to a gun hidden inside the prison cake. Johnny stops the scheme and Bull is executed on time.

Edited by Mort Weisinger.

Showcase #84

Showcase #84 (On Sale: June 12, 1969) has a Nightmaster cover by Joe Kubert.

"Come Darkness, Come Death" is by Denny O'Neil and Bernie Wrightson, with an artistic assist from Mike Kaluta and Jeff Jones. Nightmaster Jim Rook and his barbarian friend, Tark, and the mentally-challenged albino guide, Boz hold one-side of a chasm. The warlocks and their mystical flying ship and Nightmaster's captured fiance, Janet, are on the other. In frustration Jim picks a fight with Tark, but it is soon interrupted when smoke from the warlock's ship drifts across the chasm, materializing into ribbons of evil which then forms into two giant spiders. The magic of the spiders is no match for the magic of the Sword of Night, and Jim defeats the two spiders.

But the court wizard has other ideas and sends forth blizzard winds which carry thousands of spiders toward our heroes. Horribly outnumbered, they make there way towards a cave only to have their path cut off by the spiders. As Jim prepares for the onslaught, thousands of rays of light streak from the cave and blast the spiders, obliterating them. Tark knows that only one man could have the power to create such a spell and guesses that the cave they have found is the home of Mar-Grouch the Mystic.

They enter the cave and beseech Mar-Grouch to return Janet from the clutches of the warlocks, something he agrees to do. However, the Court Wizard has cast a spell over Janet, turning her into a servant girl named Mizzi and commanding her to kill the Nightmaster if she can. Mar-Grouch's spell returns Mizzi and Jim is incensed that Mar-Grouch got the wrong girl. Still, Mar-Grouch offers one last bit of aid to the group, some wings they can wear to cross the chasm and attack the warlocks.

The wings are powered by crystals found on the ground and they are told to gather into pouches only the green crystals to make the wings fly, but to avoid the yellow crystals which attract the Arivegs, hideous flying plants. But Mizzi fills Jim's pouch and fills it full of yellow crystals, causing the Arivegs to attack Jim. Tark takes hold of Jim as he tosses his pouch away and they continue on their way to the ship.

Once inside they confront the warlocks but are subdued by mystic gases. When Nightmaster awakens he and Tark are tied up in the hold of the ship and are soon to be tortured and killed, but the warlock, Duke Spero wants to know why Jim Rook has been fighting, why he has not returned to Earth where he belongs and Jim says it is because of his love for Janet. Somehow his speech reaches through the spell fogging Mizzi's/Janet's mind and she decides to help. While Spero is boasting, Mizzi secretly cuts Jim's ropes and moments later when Spero reveals that Mizzi is really Jan, Jim leaps into action, forcing Spero and his wizard to flee through a dimensional vortex to Earth, with Jim and Janet in hot pursuit.

Jim forces the warlocks back through the portal to Myrra. Jim and Janet stumble out into the street, where they walk together in silence for hours. As the sun is rising they speak of what a dream, a fantasy they both shared and how it could not possibly have been real. Then Jim Rook feels the cold hard steel of the Sword of Night in his hands and knows that though he is Jim Rook, he is also Nightmaster.

This is the last of the Nightmaster series. Being Bernie Wrightson's first full book, his two Nightmaster stories are pretty uneven artistically and have ample assists from friends such as Mike Kaluta and Jeff Jones (such as in the half-page above, obviously penciled by Jeff Jones).

Edited by Murray Boltinoff.

Justice League of America #73

Justice League of America #73 (On Sale: June 12, 1969) has a cover by Joe Kubert featuring none of the Justice League; those are all Justice Society heroes.

"Star Light, Star Bright -- Death Star I See Tonight" is by Denny O'Neil, Dick Dillin and Sid Greene. Long ago the Council of Living Stars (go figure), removes all energy, save enough to sustain him, from the star Aquarius, who is guilty of some unnamed heinous crimes. Aquarius is adrift in the cosmos for eons, till one day he spies Earth.

The Red Tornado is at JLA headquarters relating a tale of the Justice Society of America to the members at large. It starts with Ted Knight seeing some strange glow in the sky and checking it out as Starman. He blasts the glow with his Cosmic Rod, only to have the blast returned to him with increased force. The "glow" begins to form into a creature and grabs the rod from Starman's hand, leaving him to plummet to the ground, where Larry and Dinah Drake Lance have just entered Knight's observatory, bearing gifts of food.

Starman crashes through the skylight and Dinah gets into her Black Canary garb to do a quick reconnoiter of the grounds. There she is attacked by husband Larry, whom she quickly dispatches. Larry remembers nothing about attacking Dinah and sensing something is very wrong, she summons the rest of the JSA. However, each is delayed by one thing or another, having to do with inanimate objects or unexpected people, such as the small boy on the cover, temporarily gaining amazing powers. Dr Fate senses a dark force is present and attacks. Aquarius makes his presence known and that the Cosmic Rod is beginning to restore his long lost energy.

One by one the JSA attack Aquarius and each is defeated. After Superman and Wonder Woman go down in defeat, the remainder of the team attack en mass, but Aquarius claims that he is done toying with Earth and cold rays of death spread out from his body and the Earth simply fades away. But Dr. Fate, sensing what was happening erected an ectoplasmic shield around the JSA members. Fate explains that Aquarius has transported the people and objects of Earth to another dimension, where they will cease to exist if the JSA members were to die; that the only link Earth has to reality is the minds of the JSAers.

While Aquarius gloats Dr. Fate knows that they have but a slim hope of survival, for before Aquarius transported Earth away Fate sent a telepathic message to the Red Tornado, to go to Earth-One and tell the Justice League what has happened. This story has been reprinted in Crisis on Multiple Earths Vol. 2 TPB, Justice League of America Archives Vol. 9 HC and Showcase Presents: Justice League of America Vol. 4 TPB.

Edited by Julius Schwartz.

G.I. Combat #137

G.I. Combat #137 (On Sale: June 12, 1969) has a Haunted Tank cover by Joe Kubert. This one is a sub-genre of the "we think we are OK but the Nazis are about to attack us" where the character is either deaf or blind.

We begin with the Haunted Tank in "We Can't See" by Robert Kanigher and Russ Heath. This was reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB.

The back-up is a reprint from All-American Men of War #64, "Story of a Boot" by Bob Haney and Joe Kubert.

Edited by Joe Kubert.

Swing With Scooter #20

Swing With Scooter #20 (On Sale: June 10, 1969), AKA Giant F-1, has a cover by Henry Scarpelli. This was the beginning of a second Giant series at DC.

This issue begins with four Scooter stories: "If It's Free I'll Take It," "Sign Here, Please," "Carnival Time" and "Cousin Roger's Hang-Up." Next is a Penny and Cookie story, "Golf Anyone," "Cool Bongos" and a final Scooter story, "Johnny, You Kill Me." I have no credits for story details on any of these.

Edited by Joe Orlando.

Leave It To Binky #68

Leave It To Binky #68 (On Sale: June 10, 1969) has a cover by Henry Scarpelli.

This issue has four Binky stories: "X Marks the Spot," "The Dance Lesson," "The Fortune Teller" and "Binky Slept Here." I have no credits for story details on any of these, though I am assuming they were all new stories and not touched-up reprints from the book's earlier incarnation.

In 1948, DC was already publishing Buzzy a comic about a "hep cat," and decided to go more directly at there competition at MLJ (now Archie Comics), launching a brand-new character in his own comic. Leave It to Binky #1, introduced us to teenager Bertram "Binky" Biggs, and was written and drawn by Hal Seeger and Bob Oksner.

Leave It to Binky's original run ended in October, 1958, with its 60th issue just as the popularity of superheroes was once again expanding. By the mid '60s, some at DC thought superheroes might be losing their hold over the public, and the era of DC experimentation began.

DC first launched a similar set of characters in Swing With Scooter then brought Binky and crew back with Showcase #70 (October, 1967) in a book of reprints of earlier exploits. I don't own the book, but I figure it was handled like the Willy and Windy book, where a previous series (in that case Dobie Gillis) was reworked for a new generation.

From there, Binky moved back into his own comic; Leave It to Binky #61 went on sale April 11, 1968. Later changed to just plain Binky, the book ran off and on till issue #82 (Spring, 1977). In 1969 and '70, it even had a short-lived companion title, Binky's Buddies.

Edited by Joe Orlando.

Unexpected #114

Unexpected #114 (On Sale: June 5, 1969) has an unimpressive cover by Neal Adams.

We begin with Johnny Peril in "My Self -- My Enemy" by George Kashdan, Ed Robbins and Vinnie Colletta. That is followed by our cover-story, "The Well of Second Chances" by Dave Wood and Artie Saaf.

Edited by Murray Boltinoff.

Flash #190

Flash #190 (On Sale: June 5, 1969) has another brilliant cover by Joe Kubert. This is the second of Kubert's three-issue run on the cover of the Flash. What I like about these Kubert covers is three-fold: 1) they are technically excellent, 2) they are dramatic as all get out, and 3) the scenes depicted actually occur inside.

We begin with "Super-Speed Agent of the Flash" by John Broome, Ross Andru and Mike Esposito. A tornado is heading for a trailer park on the outskirts of Central City. Flash creates his own countering tornado to nullify the real tornado. As the two whirlwinds meet Flash is sucked up between the vortexes and knocked unconscious. When he awakens he finds his leg is broken and, like on the cover, is told he will never run again.

Barry Allen returns home, leg in a cast and begins to mope about in his wheelchair. As the days drag on and the crime rate in Central City begins to rise, Barry comes up with a plan. Barry has Iris sew up the openings in his uniform while he works at super-speed to create a series of radio-controlled miniature transistor circuits which he places at different points in his costume. After inflating his costume with air Barry has created a Flash automaton.

By vibrating at super-speed Barry in his wheelchair is able to invisibly follow his Flash automaton through Central City. In this manner Flash is able to bring down the Muscle Men gang. The next day Flash visits the doctor only to find out that some mysterious vibrations (Barry vibrating to invisibility) has healed his broken leg.

Our back-up story is "Ten Years to Live -- One Second to Die" also by John Broome, Ross Andru and Mike Esposito. After the previous episode, Flash takes his wheelchair, cast and crutches to Dexter Myles at The Flash Museum. While there Dexter relates how his young assistant, Joel Travis, had been bragging to his friends, a group called the Far-Outers (oh, don't you just love 60's DC hipness?), what good friends he was with the Flash and promised to get the Flash to come to one of their meetings. Not really knowing Flash, Joel attempted to "borrow" one of the Flash uniforms from the museum, but was caught by Dexter and promised to not do it again. However, a uniform is missing and so is Joel.

Flash goes to find Joel and convince him how dangerous it is to pretend to be the Flash, but when he gets to the Far-Outers' place, he finds they have trapped Joel in a cell and gassed him and are talking about the million dollars they are going to make off of this. Vibrating at invisibility, Flash replaces himself for Joel and pretends to be knocked out in order to find the big boss behind the million-dollar payoff.

They take him to the home of "Blue-Chip" Chipman, a thief who specialized in negotiable stocks and bonds and who has recently finished a 10-year stretch in the slammer. He plans on keeping the Flash locked up in a cell in his house for the same amount of time he spent in the joint. Chipman has planted 10 bombs in 10 busy locations in Central City and if the Flash tried to leave his cell his very absence will automatically set off the blasts, killing hundreds or thousands of innocent people. Chipman demonstrates the threat is for real by blowing up an abandoned hotel behind his mansion.

Flash timed the detonation of the hotel and realizes there is a one-second spurt of high-frequency energy between the time the detonator was pushed the detonation. Flash jumps from his cell and then follows the detonator energy spurts to each of the ten locations, disarming each bomb before it can explode. Flash punches out Chipman and reprimands Joel for his impersonation act, but lets him keep his job at The Flash Museum.

Edited by Julius Schwartz.

Batman #214

Batman #214 (On Sale: June 5, 1969) has one of those covers where DC was trying so hard to be hip and failing so hugely that it made you want to cry. Well, in retrospect it does; I think I thought it was kind of hip when I was 12. Cover by Irv Novick.

The feature-length Batman story "Batman's Marriage Trap" is by Frank Robbins, Irv Novick and Joe Giella. The winner of the Queen of Gotham beauty contest wins a night on the town with Gotham's most "coveted male," Batman. A gang leader named Strack figures since the whole night will be televised, and they will know Batman's every move, this is the perfect night to go on a crime spree. It works just as Strack planned and the next morning finds Bruce and Dick lamenting that they can never get a night off and Strack working on a scheme to make this kind of night a regular occurrence.

The beautiful Cleo is brought in and shows up the next morning at a posh Madison Avenue ad agency with a million-dollar budget for promoting W.E.B., Women to the End of Bachelorhood, a group dedicated to removing Batman's bachelorhood, the "one barrier to happy marriage in Gotham, the symbol of all single male eligibles." The city is soon flooded with wave after wave of Batman, "Wanted for Marriage" signs, fliers, and posters. Barbara Gordon smells something fishy in this supposed "grass-roots" movement to snare Batman and goes to check out the local W.E.B. chapter. Women begin picketing City Hall and when Batman and Robin show up they find Batgirl among those picketing "Batman Unfair to Gotham Gals!"

Trying to get away from the mob Batman and Robin are thwarted by the mass of women until they are saved by Cleo, whose car puts out a smoke screen, letting the dynamic duo escape. But Cleo is playing "hard to get" and pretends she is uninterested in Batman. Later Cleo passes out police-band radios to the women, so they can track Batman's every move. The women show up when Batman and Robin intercept a gang of fur thieves. The only thing that saves them from the mob is Cleo, who once again brushes Batman off.

Back at Strack's hideout he informs Cleo that the plan to keep Batman distracted is working great and that the gang is making more money than ever. Meanwhile, Batman is finding it hard to get Cleo off his mind, but soon the duo finds themselves on the trail of a gang of luxury car thieves. When they see the gang trying to steal Cleo's sports car they intercept them only to find it is a trap. However, once again they are saved by Cleo who confesses that she has fallen for Batman, but the gang get the drop on her and are about to execute all of them when Batgirl shows up and the ass-kicking begins.

Batgirl relates how she joined W.E.B. to get to the bottom of the campaign and then started following Cleo. Cleo admits she was part of the gang and is tearfully put into handcuffs. Batman however, gives her a chance to make things right and, using her information and her car, Batman and a disguised Batgirl are able to capture Strack and end the gang's crime spree. Because of her help Cleo has been promised clemency and without the W.E.B. campaign stirring things up, Batman's life goes back to normal. Well, as normal a life as you can have when you dress up as a giant bat and fight crime. This story, guest-starring Batgirl has been reprinted in Showcase Presents: Batgirl Vol. 1 TPB.

Edited by Julius Schwartz.

Our Army at War #209

Our Army at War #209 (On Sale: June 3, 1969) has another cool cover by Joe Kubert. The "we think we are OK but the Nazis are about to attack us" cover might be a cliche of DC war books, but nobody does this cliche better than Kubert.

We begin with Sgt. Rock in "I'm Still Alive" by Robert Kanigher and Russ Heath. While on patrol in Nazi country, the new replacement in Easy Co., Tiny Tim, wants to buddy up with Rock, telling Rock, "M-my old buddy g-got killed!" Before Rock can answer Easy is awash with Nazis in close hand-to-had and gun-butt to face combat. When the Nazis take off, Tiny Tim seems dazed and amazed that he is still alive.

He relates to Easy the fate of his last four-man squad, guys he had been through basic with, as they hit the beach at Normandy and how they came face-to-face with a Panzer. Tim loaded their bazooka, but before his buddy Charlie could fire, the Panzer ripped into them. Charlie was the only survivor and used the bazooka to take out the Panzer, but his friends were still dead. Just then Easy is attacked by two Focke-Wulf 190's and as they come in for a strafing run Tim screams that he is a jinx and so he runs off into the strafing, pulling the F.W.'s attention and making them easy pickings for Easy.

They find Tim lying face down in the dirt, but he's OK. A bullet had punctured his helmet, but missed his head. They leave his helmet as a signpost reading, "I walked away from this one! Tiny Tim" Rock remarks how none of them know when he is going to meet the bullet with his name on it and it is best just not to worry about it.

Next is a two-page Battle Album spread by Ken Barr on the Dive-Bombers of Midway.

Our back-up story is "Fill a Dead Man's Boots" by Howard Liss and Fred Ray. Fred Ray is not one of my favorite artists, but he has some fairly nice figures and composition in this story of the Civil War. The Confederates are getting blasted in battle and Sgt. Mal Walker carries his wounded Captain to safety only to realize that the Captain has died. Walker's boot are a mess, so he takes the boots off of his dead Captain, before crawling back behind his own lines.. There he is ordered to take charge of the company and head off whit his men, taking Cedar Mountain from the Union. All the while Walker is just trying to "fill a dead man's boots."

Walker gets order from Stonewall Jackson to destroy the supply depot at Manassas. Using his men as back-up and cover Walker sneaks into the depot and sets fire to the power dump, blowing the depot sky high. When Jackson congratulates Walker he just offers that he is trying to "fill the boots of a good man." Walker's boots are now as tattered and worn as his old pair and Stonewall remarks that "Boots don't lead armies...men do."

Edited by Joe Kubert.

House of Secrets #81

House of Secrets #81 (On Sale: June 3, 1969) has a cover by Neal Adams as it rejoins the DC ranks after being AWOL for the past three years.

We begin with "Don't Move It!" by Mike Friedrich, Jerry Grandenetti and George Roussos which is the origin story for the House of Secrets. That is followed by "House of Secrets" drawn by Bill Draut and containing the first appearance of Abel in the House of Secrets (remember he premiered in last month's DC Special #4).

Next is a text story, "Burn This House!" by persons unknown. That is followed by "Aaron Philips' Photo Finish!" by Gerry Conway and Jack Sparling. The issue ends with an Epilogue to the "House of Secrets" drawn by Bill Draut. The entire issue was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

This was Gerry Conway's first story for DC. Between now and 1990 Gerry would write 630 tales for DC. He began selling such anthological stories here and for Marvel's Chamber of Darkness and Tower of Shadows through the end of 1970. He published his first continuing-character story in The Phantom Stranger #10.

Conway broke into Marvel Comics through Marvel editor Roy Thomas as he explained in Back Issue #26:

"I'd been writing for DC Comics for two or three years . . . but to paraphrase the joke about the actor's ambitions to be a director, what I really wanted to do was write superheroes — specifically Marvel heroes. Through friends I'd become acquainted with Roy Thomas, who was Stan Lee's right-hand man at the time, and Roy offered me a shot at the Marvel 'writing test'. Stan wasn't impressed, but Roy liked what I did, and began throwing some short assignments my way, including scripting over his plot on an early Ka-Zar [story]...”

Following his first continuing-character story for Marvel, with his script for Ka-Zar in Astonishing Tales #3, Conway's began writing superhero stories with Daredevil #72. He quickly went on to assignments on Iron Man, The Incredible Hulk, and both "The Inhumans" and "The Black Widow" features in Amazing Adventures. Conway would eventually script virtually every major Marvel title, as well as co-create (with writers Roy & Dann Thomas and artist Mike Ploog) "Werewolf by Night", in Marvel Spotlight #2; and write the premiere issue of Marvel's The Tomb of Dracula, introducing the longstanding literary vampire into the Marvel universe. He scripted the first Man-Thing story, in 1971, sharing co-creation credit with Stan Lee and Roy Thomas.

At 19, Conway began scripting The Amazing Spider-Man, one of Marvel's flagship titles. His run, from issues #111–149, included the landmark death of Gwen Stacy story in #121. Eight issues later, Conway and Ross Andru introduced the Punisher as a conflicted antagonist for Spider-Man. The character went on to become a popular star of numerous comic books and has been adapted into three movies. Conway additionally scripted Marvel's other flagship, Fantastic Four, from #133–152.

Gerry Conway succeeded Marv Wolfman as editor-in-chief of Marvel Comics in mid-1976, but held the job only briefly, relinquishing the post before the year was out and succeeded in turn by Archie Goodwin.

Conway returned to DC Comics in mid-1975, beginning with three books cover-dated Nov. 1975: Hercules Unbound #1, Kong the Untamed #3, and Swamp Thing #19. Shortly afterward, he was chosen by Marvel and DC editors to script the historic inter-company crossover Superman vs. the Amazing Spider-Man #1, a 96-page, tabloid-sized, $2 one-shot, at a time when comic books sold for 25 cents.

He continued writing for DC, on titles including Superman, Detective Comics (starring Batman), Metal Men, Justice League of America, 1st Issue Special #11 starring Codename: Assassin, and that of the licensed character Tarzan, yet briefly returned to Marvel as editor in mid-1976. For a time, a confluence of publishing schedules resulted in Conway stories appearing in both Marvel and DC comics in the same month.

After leaving Marvel's editorship, he again wrote exclusively for DC, writing both major and lesser titles — from those featuring Superman, Batman, Wonder Woman, the Justice League of America, and the Legion of Super-Heroes to such books as Weird Western Tales, Atari Force and Sun Devils — through mid-1986. His co-creation Firestorm, "the Nuclear Man", debuted in the eponymous Firestorm #1, which lasted five issues before being canceled during a 1978 DC retrenchment. The character then starred in a backup feature in The Flash before again receiving his own series, The Fury of Firestorm (later Firestorm the Nuclear Man), from June 1982 – August 1990; Conway wrote most of the first half of the run, plus four of its five annuals.

Conway returned to Marvel in the 1980s and served as the regular writer of both The Spectacular Spider-Man and Web of Spider-Man from 1988 until 1990. He relinquished writing duties on both titles when he became the script-editor of TV's Father Dowling Mysteries.

Conway's last recorded comics credit is Topps Comics' "Kirbyverse" one-shot NightGlider #1 , scripting from a Roy Thomas plot.

In addition to comics, Conway published two science-fiction novels: The Midnight Dancers and Mindship. He also wrote the February 14 - December 3, 1983 dailies of the syndicated newspaper comic strip Star Trek.

Conway as well moved into screenwriting in the 1980s, starting with the animated feature Fire and Ice in 1983, co-written with Roy Thomas, based on characters created by Ralph Bakshi and Frank Frazetta. Conway and Thomas wrote the story basis for Stanley Mann's screenplay for the film Conan the Destroyer.

Conway went on to write, and eventually produce, for such TV series as Diagnosis Murder, Matlock, Jake and the Fatman, Father Dowling Mysteries, Hercules: The Legendary Journeys, Baywatch Nights, Pacific Blue, Silk Stalkings, Perry Mason telefilms, Law & Order, The Huntress, Law & Order: Criminal Intent, and an episode of Batman: The Animated Series.

Edited by Joe Orlando.

Challengers of the Unknown #69

Challengers of the Unknown #69 (On Sale: June 3, 1969) has a cover by Joe Kubert; Neal Adams is taking a break from the Challs for a month. This cover is nice and dramatic. I could see Adams utilizing this layout effectively as well.

The feature-length Challengers story "The Secret of Skull Mountain" is by Denny O'Neil and Jack Sparling. The Challengers are summoned to Stark Mountain to investigate a strange murder, in which the main suspect is dead. The Challs are attacked by a huge man who, after defeating them, disappears into the forest. The team follows the man to a castle owned by Algernon Stark. They suspect that the giant is inside the castle.

Algernon Stark give them permission to search the castle. While doing so, Prof is possessed by evil impulses and tries to kill Rocky. When Prof fails, the rest of the team realize that he has been trying unsuccessfully to kill each of them.  A scream sends the team running to find Corinna Stark, who is being attacked by the giant man.
 
Corinna explains that the monster is actually a robot created by her father in hopes of unlocking the secrets of immortality. Prof is shot, nobly sacrificing himself to save the team. Using her father's laboratory, Corinna places Prof's body into cryogenic storage. Then, as the cover portends, she offers to join the Challengers of the Unknown as Prof's replacement. .

Edited by Murray Boltinoff.

Atom & Hawkman #44

Atom & Hawkman #45 (On Sale: June 3, 1969) has a wonderful Hawkman cover by Joe Kubert. Kubert, Hawkman, Gentleman Ghost, sarcophagus; what else is there to say?

Hawkman stars in "The Ghost Laughs Last" a thirteen-page story by Robert Kanigher and Murphy Anderson, continuing Hawkman's battle with the Gentleman Ghost from last issue. Hawkman is convinced that Craddock isn't a real ghost, but rather a charlatan using clever tricks. Meanwhile, the Ghost begins seeing Zita, a blind psychic, who falls in love with him. Zita tells Craddock that exposure to a rare jewel, her sight can be restored. The Ghost promises to steal  the Empress Ra-Na's necklace from the Louvre. 

Although his men are captured by Hawkman and Hawkgirl, the Ghost eludes the Winged Wonders and returns to Zita with the necklace. The jewel however, does not restore Zita's sight, so the Ghost steals the Fire Ruby from a Paris fashion show, once again eluding the Winged Warriors. As the Gentleman Ghost escapes into the Paris sewer system, all evidence points to Craddock actually being a ghost.

The Fire Ruby works in restoring Zita's sight, but the Ghost leaves, telling her that he will not return until his physical body can be restored and they can be together. This one was reprinted in Showcase Presents: Hawkman Vol. 2 TPB.

The Atom stars in "Hate is Where You Find It," an eleven-pager by Denny O'Neil, Dick Dillin and Sid Greene. The Atom breaks up an altercation between two college boys and Professor Heinrich Von Rilk. The boys are angry because Professor Von Rilk destroyed the school's electron-microscope and accuse him of being a Nazi. (Ha ha, funny story, we used to not like Nazis in this country.) Anyway, Von Rilk explains that he discovered a microscopic lifeform about to invade the Earth, and he destroyed the microscope to stop the invasion.

The boys think Von Rilk is lying, so the Atom shrinks to microscopic size to see if he can confirm or deny the Professor's story. The Atom finds Ag, the vanguard of an invasion force, readying to invade Earth. The Atom stops Ag and destroys the creature's ability to invade Earth in the future.

Later, the Atom testifies in court and Professor Von Rilk is set free.

Edited by Julius Schwartz.