Brother Power, the Geek #2

Brother Power, the Geek #2 (On Sale: September 5, 1968) has a cover by the legendary Joe Simon, the creator of Brother Power. Not a bad cover this time out.

"A Visit from the Dead" is by Joe Simon though like last issue the artwork is generally credited to Al Bare and Bill Draut and Jack Oleck is considered the co-writer. As we last left Brother Power, the Geek he had driven his motorcycle off a bridge to a watery doom. As we pick up the story while fishing some kids accidentally hook a Geek. Then a guy named the Baron decides to steal Brother Power’s boots, so then he and his gang fly their homemade bi-plane to go do it.

Brother Power kicks their butts and recaps his origin. The kids get him a job in a market, where he starts as a mover and bag boy but moves up the ranks. He ends up finding work and encouraging other hippies (the group from the first issue show up) to do so, eventually getting hired by the J.P. Acme Corporation just as it was taken over by the wicked Lord Sliderule. Brother Power's ingenuity still made the assembly line run more efficiently.

Lord Sliderule launches an unmanned space missile that malfunctions and explodes and the factory is surrounded by tanks who want to destroy the Geek. Geek runs into the Baron, who has become a hippie, and has a glider crash into the tanks. Brother Power was last seen being shot into space on orders from Governor Ronald Reagan, after trying to prevent the sabotage of a rocket launch by Mad Dawg and his gang, knowing it would be blamed on hippies. yeah, it wasn't the tightest of plots.

This was the final issue of Brother Power, The Geek and it has long been regarded as one of the biggest flops in DC history. However, the demise of Brother Power, the Geek had little to do, actually, nothing to do with sales. While sales were modest, Brother Power's real problem was with some of the old-time DC staff. To be precise, Mort Weisinger.

Carmine Infantino has claimed in several interviews following his retirement that Superman editor Mort Weisinger disliked the character very strongly, and petitioned DC publisher Jack Liebowitz to shut down the title. Infantino and others who knew and worked with "Uncle Mortie" have said that Weisinger harbored an admitted dislike for the hippie subculture of the 60's, and felt that Simon portrayed them too sympathetically.

According to Joe Simon, the third issue was canceled just before the finished artwork was to be set up for print duplication, and to this day Simon refuses to discuss exactly what the plot of this issue was about, nor release any of the original art.

Would Brother Power, the Geek ever became a mainstream hit at DC? I kind of doubt it, but it certainly would have had a longer shot. Most of the books that DC killed during this time period were given a full year to make it or die; Geek never got that shot.

Edited by Joe Orlando.

Brother Power, the Geek #1

Brother Power, the Geek #1 (On Sale: July 4, 1968) has a cover by the legendary Joe Simon, the creator of Brother Power. Man do I dislike the color on this one.

You can't say DC wasn't trying new ideas, as Joe Orlando reacalled in Comic Book Artist #1, "Carmine (Infantino) called me into his office and told me I was Joe Simon's editor. Joe had Brother Power the Geek's first issue written and drawn so I just did the paperwork. I didn't think that it was my kind of book but it was Joe Simon! Can I give him corrections?! Not me! Am I going to stand in the way of the man who originated Romance comics? So Brother Power, the Geek did not become the Newsboy Legion but it was fun working with Joe"

This first issue, "A Thing is Born," credits the story and art to Joe Simon, yet it has been widely reported that in actuality the book was co-written by Jack Oleck and drawn by Al Bare and Bill Draut. Regardless of the actual creators, the first issue opens with a motorcycle gang running over a group of hippies. Seeking refuge, some of the hippies hide in a tailor shop, and one of them puts his clothes on an old dummy to dry them by the radiator. The dummy is struck by lightning and comes to life. The motorcycle gang burst in, and the dummy fends off their attack.

The hippies quickly dub him Brother Power and alternately, the Geek (the book was originally supposed to be called “The Freak” but higher-ups at DC thought that was too drug-related). They teach the Geek to talk, but naturally it is their version of English is 60’s comic book hippie lingo.

Our two hippie friends and Brother Power go to the Psychedelic Circus Parade, but it’s actually a trap by the motorcycle gang from earlier, the Mongrels. Brother Power is kidnapped, and the hippies band together to save him, dressing in weird superhero costumes. It’s described in the actual dialogue as a “comic book hero happening!” There is a huge fight which also involves a strong man, but the good guys get free and Brother Power becomes leader of the flower children.

After this, Brother Power decides to run for congressional office (I'm not making this up), but the gang comes after him. Confronted by the gang again there is another fight and and then the cops get involved. The book ends with Brother Power driving a motorcycle off a bridge to a watery doom.

To say this is not your typical DC comic book is to put it mildly. According to Simon, the concept behind Brother Power was derived heavily from Mary Shelley's Frankenstein, right down to reanimation with the use of lightning. At the same time, Simon was also attempting to capture the sort of "wandering outcast philosopher" characterization that made Marvel Comics' Silver Surfer a cult hit amongst the college student readers of the period.

Brother Power has long been regarded as one of the biggest flops in DC history; next issue being his last, but as I will go into next issue, the demise of Brother Power, the Geek had little to do, actually, nothing to do with sales. See you then.

Edited by Joe Orlando.