Showing posts with label Arthur Peddy. Show all posts
Showing posts with label Arthur Peddy. Show all posts

Friday, July 15, 2016

Young Romance #174

Young Romance #174 (On Sale: July 15, 1971), has a  cover by Bob Oksner.

We begin with "For Your Sake, Darling!" drawn by Frank Langford. This is the third of four stories British artist Langford would do for DC.

Next up is "How to Succeed in Love" drawn by John Rosenberger and reprinted from Young Love #67 (1968).

This is followed by a one-pager, "Do's and Dont's of Dating" drawn by Steve Englehart and Vince Colletta. This is one of the very rare Englehart pencils.

Next, we have "Teacher's Pet!" drawn by Werner Roth and Vince Colletta.

That brings us to "Never Look Back" drawn by Arthur Peddy and retouched by Artie Saaf and reprinted from  Girls' Love Stories #88 (1962).

Edited by Dorothy Woolfolk.

Friday, June 17, 2016

Young Romance #173

Young Romance #173 (On Sale: June 17, 1971), has a cover by Jay Scott Pike.

We being with "Cage of Love" by Len Wein and John Rosenberger.

That is followed by "Please Don't Steal My Man" drawn by John Rosenberger, which may or may not be a reprint from 1965.

Next up is "What Love Is All About!" drawn by Jack Sparling and Vince Colletta.

We next come to  "Unhappy Birthday" drawn by Arthur Peddy and Bernard Sachs and reprinted from Falling in Love #1 (1955).

We end with "Love Is Standing on a Corner" inked by Bob Oksner.

Edited by Dorothy Woolfolk.

Friday, April 15, 2016

Girls' Romances #157

Girls' Romances #157 (On Sale: April 15, 1971), has a cover by Don Heck and Dick Giordano.

We begin with  "The Girl Next Door" drawn by George Tuska. Close friends Elsa and Wade have grown up next door to each other, but Wade is completely unaware that Elsa is in love with him.

Next up is "Dream Man" drawn by Arthur Peddy and reprinted from Girls' Romances #65 (1960). Nina goes to see a friend off on an ocean voyage and fantasizes about a handsome man she sees on the ship.

That is followed by "Love Is Forever" drawn by Artie Saaf and Vince Colletta. While Carrie's boyfriend Todd is away in the service, an accident scars her face and she fears that he will never love her again. She is surprised when he returns home from combat a blind man.

We end with "Two-Timer" drawn by Bill Draut and Bernard Sachs and reprinted from Girls' Romances  #66 (1960). Bob agrees to spend time with his roommate Nate's girlfriend from out of town because Nate claims to be busy with exams. However, Bob never expected to find himself falling in love with her.

Edited by Dorothy Woolfolk.

Tuesday, December 8, 2015

Young Romance #170

Young Romance #170 (On Sale: December 8, 1970), has a cover by Dick Giordano.

We begin with our cover story, "Love Is a Swinger" by Robert Kanigher, Werner Roth, and Vince Colletta. Michelle is engaged to a wonderful guy but feels his ring is an anchor dragging her down as she envisions their future. She takes off his ring and plans to give it back to him when he takes her to a discotheque one evening. Before she can tell him how she feels, she is stunned to see him get up and dance with the attractive singer playing there. She later catches him kissing Lily Martin and realizes that she does love him, now that she has lost him. But Dick had just been using Lily to try to forget Michelle when he had noticed she had taken his ring off. Apparently, Lily is to be a reoccurring character, known as The Swinger.

Next is "The Test of Time" drawn by Tony Abruzzo and Bill Draut and reprinted from Falling in Love #67 (1964). Sue gets engaged and invites her brother to come for the weekend to reveal her big surprise. When Jim arrives, he has his own surprise as he is also engaged and arrives with his fiancee. They plan to have a two-week celebration before their wedding, but before the two weeks are up Sue and Jim catch their partners kissing each other.

Next is a Beauty on a Budget one-pager by Liz Berube.

That is followed by "Will I See Him?" by Joe Gill, John Celardo, and Vince Colletta. After breaking up with Lew, Anne goes to Joan's party wondering if she will see him there.

Next, we have "Appointment with Heartbreak" drawn by Arthur Peddy and Bernard Sachs and reprinted from Secret Hearts #39 (1957). Clay has asked Anne to meet him in the park. She assumes he is going to tell her he doesn't love her anymore because she has learned that he has been seeing another girl almost every evening while she has been out of town on an extended business trip. As she approaches Clay's bench, she decides she is not ready to face him. She finds an outdoor restaurant where she tells her story to a sympathetic stranger.

Next is another one-pager, "If You're Capricorn" by Raymond Marais and Liz Berube.

This is followed by "My Life for Yours" drawn by Gene Colan and reprinted from Falling in Love #68 (1964). Tad meets Ellen in her greenhouse after being in South America for two years. They had been in love once, but his jealousy had driven them apart and ultimately resulted in her being seriously injured when she ran away from him one evening and into an approaching car. Now she walks with a slight limp and the scar on her face is practically invisible. Tad learns that she is happy with her plant business and, most of all, loves her little girl and husband.

Next is "Love Me a Little –" drawn by Mike Sekowsky and Bernard Sachs and reprinted from Falling in Love #64 (1964). Marge easily makes conquests of men, but then loses interest in them. Instead of going to Miami again on vacation, she thinks about staying home this year but her friend convinces her to go, thinking that one of the men who swarm Marge will settle for her instead. At the Beachcomber Hotel, Marge is attracted to a man who seems impervious to her charms.

We end with The Swinger in her second story, "Rise, Love, Rise" by Robert Kanigher, Werner Roth, and Vince Colletta. Hitchhiking after the events in "Love Is a Swinger!", Lily panics when she sees a broken bridge and forces the driver to stop. The bridge brings back memories of how Tommy died. They had dated for a long time, but Lily had changed while Tommy had not. After telling Tommy her feelings, he had raced off in his car and smashed through a detour barrier where was drowned in the river. Feeling guilty for Tommy's death, Lily had set off to find herself. She helps a singer overcome his fears to perform at a rock festival, then moves on.

Edited by Dick Giordano.

Tuesday, November 24, 2015

Girls' Romances #154

Girls' Romances #154 (On Sale: November 24, 1970), has a cover by Nick Cardy.

We begin with "The Girl Who Gave Her Love Away" drawn by Werner Roth and Bill Draut. Freshman Sandy is ecstatic when senior Allan takes an interest in her, but her friends all warn her about his reputation as a lady-killer. Sure enough, he soon breaks up with her, claiming to be engaged to a girl at another college, but then he returns and admits he lied, and that he's really in love with Sandy this time.

Next is an untitled Betty's  Boutique story drawn by George Tuska and Vince Colletta. Betty models several new outfits for two customers, but she mistakes which one is really doing the shopping.

That is followed by "A Kiss from a Stranger" drawn by Arthur Peddy and Bernard Sachs and reprinted from Girls' Romances #81 (1962). A guy meets a girl on the beach and they share a romantic moment, but she runs away. Unable to forget her, he tracks her down again and she admits that she was engaged, but broke it off after she met him and hoped to find him again.

Next is an activity page, "Sew Here's How!"  by Liz Berube.

We end with our cover story, "Part-Time Lover" drawn by Artie Saaf and Frank Giacoia. Randy is bored with her boyfriend Chuck so she dumps him when she meets Myles, who takes an immediate interest in her. But when Myles turns out to be married, Chuck is still waiting to take her back.

Edited by Murray Boltinoff.


Thursday, October 15, 2015

Girls' Romances #153

Girls' Romances #153 (On Sale: October 15, 1970), has a cover by Nick Cardy. 

We begin with "Love Me, Love My Child" which was drawn by Arthur Peddy. Sheila, a young widow with a child, keeps her circumstances a secret from her new boyfriend Brad, who doesn't like children.

Next is "All My Tomorrows" drawn by Mike Sekowsky and Bernard Sachs and reprinted from Girls' Romances #94 (1963). Paul meets Karen, who is running away from a failed relationship, but he is unable to convince her to give him a chance.

We end with "Never Trust a Man" drawn by Lee Elias. Janie refuses to fall in love with any guy, no matter how much they care for her.

Edited by Murray Boltinoff.

Thursday, October 8, 2015

G.I. Combat #145

G.I. Combat #145 (On Sale: October 8, 1970) has another cool Haunted Tank  cover by Joe Kubert.

We begin this "BIG" issue with one of the original stories in it, "Sand, Sun & Death" starring the Haunted Tank, written by Robert Kanigher an drawn by Russ Heath. In the desert of North Africa, the Haunted Tank in surrounded by enemy tanks. When they run out of ammunition, Jeb orders the tank to take cover in a sand storm. When the storm clears, they are lost, but they soon find a crashed bomber. 

The pilot is still alive, but he has gone mad. Jeb convinces him to get back into the fight when the enemy tanks arrive. Rick, Slim, and Arch man the plane's guns while the pilot and Jeb strike at the enemy from behind. They win the battle, but the pilot is killed during the fight. This story was reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB.

Next we have the first of the reprints, "A Hatful of War" by Bob Haney and Mort Drucker and reprinted from G.I. Combat #61 (1958). A green recruit asks his Sarge what the tightest spot he could expect to be in, to which the Sarge replies, "You'll know it when you're in it." Out scouting one day the kid gets pinned sown by a machine gun and his helmet starts to feel real tight, but the kid manages to get close enough to use a grenade to end the threat and his helmet suddenly feels much looser. Shortly, while guarding a deserted farmhouse, the kid sees a German grenade flying at him and uses his helmet to knock it away, He crawls under the farmhouse steps and from there is able to take out the Nazi who threw the grenade, making his restrictive helmet feel loose again.

A few days later he is in a foxhole when a German tank arrives and once again his helmet begins to tighten. He jumps onto the tank and manages to take it out. Later when the Sarge asks if he has found the tightest spot in the war yet, the kid points to his head and say, "Right in here!"

Our next reprint is "The Iron Punch" by France Herron and Arthur Peddy and reprinted from Our Fighting Forces #5 (1955). When Seabee Bob Tully is ordered to get supplies through a jungle he uses his bulldozer, Peg, to get the job done, promising to go "straight through the jungle." When attacked by snipers from up in some trees, Peg knocks them down. when attacked by machine guns in pillboxes, Peg bulldozes them over, and when challenged by an enemy tank, Peg pushes it over a cliff. Later at Seabee headquarters, Tully is shown an aerial photo of his rad and it is anything but straight.

Next we have a new two-page Battle Album, "Terror in the Sky!" on different types of anti-aircraft shells used during World War II. The art is by Sam Glanzman.

The next reprint is "Hot Corner" by Robert Kanigher and Joe Kubert and reprinted from G.I. Combat #59 (1958). When ball player Arnie gets his chance in the big leagues, his hitting is fine, but his fielding at third base, what his manager called the "Hot Corner" was so bad his career was over before it started. Too embarrassed by the stories in the papers to return home, Arnie joins the army and is shipped out to North Africa where he hopes to prove himself on the front, but it is not to be. He is ordered to babysit some supplies till another platoon comes to pick them up. 

While waiting he sees a platoon of Nazi infantry approaching and prepares to stop them with his machine gun. He is so distracted by the approaching men that he fails to see the Nazi sneaking up behind him, and they knock each other out in a fist fight. He awakens to the approaching Nazis and opens fire on them. Suddenly he is attacked from the air by a Stuka which in his mind is a running trying to score on him. He manages to shoot the Stuka down, but later he sees a tank attack as another runner trying to get past his corner. He manages to get a grenade into the tank and later when the second platoon shows up for his supplies and asks what he thinks he is doing just sitting there, he says he is, "Sitting on a hot corner!"

That is followed by "Mile-Long Step" by John Reed and Jerry Grandenetti and reprinted from Our Fighting Forces #2 (1954). After landing on a beach, an infantry group has to help another company three miles away. Their transport by truck is interrupted by a Nazi tank, which they mange to take out but they now have to hoof it to the next company. After dealing with some more Nazis, they arrive safely. A few weeks later they parachute into enemy land and are once again attacked but manage to fight their way out, one remarking that "War's only a step away--one after the other---a million of them."

Our last reprint is  "Glory Dive" by France Herron and Joe Kubert and reprinted from Our Army at War #32 (1955). On a US held island the soldiers put on a mini Olympics, but when one of the men from a submarine crew, Barney, participates in the high diving event, he does not come back u to the surface. He has dived into enemy frogmen who capture him and take him to a nearby island in their mini sub. There he is questioned for information but manages to escape, where he sees a hidden Japanese air-craft carrier. Barney steal a Japanese mini sub, returns to his men and an air strike is called to take out the carrier.

We end with the other new story, "Missing: 320 Men" a U.S.S. Stevens tale by Sam Glanzman. This is the story of Jerry Boyle a crewman who spent all his spare time drawing the hardware around him. After battles he would draw them from memory. The rest of the men loved his drawings, but after the war Jerry would notice that although he drew all the tings around him, he never drew any of the 320 men on the ship. 

Edited by Joe Kubert.

Thursday, August 13, 2015

Girls' Love Stories #154

Girls' Love Stories #154 (On Sale: August 13, 1970) has a cover by, well, we are not quite sure. Sequential Crush seems to think this is Bill Draut, but I don't think so. I'm thinking more like Ric Estrada.

Our cover story, "Too Spoiled for Love" is drawn by Ric Estrada and Jack Abel. Lila is a part of the local rich crowd, a spoiled girl just out for fun, breaking the heart of any guy who gets serious for her. Then one night her car breaks down on the way to a club and Brett stops to assist her. She invites him to join her in the club and very soon Lila realizes that she is seriously smitten with Brett. 

Plans for a "real" date are thrown up in the air when Lila's father informs her that he has invited his new assistant to dinner. She calls Brett and lets him know their date will have to be postponed, but later, when she heads downs to meet the assistant, she finds it is Brett.

Lila plays along as her father tries to hook the two kids up, but when Brett and Lila get some private time she is furious, figuring he only stopped to help her to get ahead with her father.She chases him out of the house and out of her life, but when she tries to resume her playgirl lifestyle, she finds that all she has on her mind is Brett.

She decides that one way to get over him is to overdoes on Brett, so she asks her father if she can work on the assembly line which Brett manages. Her tedious job is to keep track of the pressure gauges on some chemical tanks, but she is distracted by Brett's presence and one of the tanks explodes. Horrified by what her negligence has caused, she leaves. Later her father tells her that Brett admitted to forgetting to inspect the gauges and so he fired him.

Realizing that Brett only took the blame for her mistake out of love for her, Lila rushes to Brett and, of course, they live happily ever after.

Next is an eight-pager, "Country Girl," drawn by Artie Saaf and Frank Giacoia

That is followed by  "Advice to the Lovelorn," a three-page story drawn by George Tuska and Vinnie Colletta.

We end with "Awakened Heart," a seven-page reprint from Secret Hearts #38. This story is drawn by Arthur Peddy and Bernard Sachs and has been touched up to modernize the clothes and hairstyles. 

Edited by Joe Orlando.

Thursday, August 6, 2015

Falling in Love #118

Falling in Love #118 (On Sale: August 6, 1970) has a nice cover by, well, certainly not Nick Cardy and Vince Colletta as some people attribute. Sure the inks are Colletta, but Cardy had nothing to do with this. Some have suggested Dick Giordano, but I don't see any Giordano on this. the band in them background reminds me more of a Ric Estrada or an Artie Saaf. Regardless of who drew it, it is kinda cool and certainly somewhat timely. 

We begin with  the eight-pager "Hate Letters to Wilma," penciled by George Tuska.

That is followed by "First Kiss," a three-pager drawn by Ross Andu and Mike Esposito. 

Next we have a seven-page reprint from Girls' Love Stories #42  entitled "No Chance at Love."  This tale from 1956 was drawn by Arthur Peddy and Bernard Sachs.

Arthur F. Peddy is not really known to most comic fans, but he had a long career, starting in 1939 writing and drawing the Waco Kid for Fox in Mystery Men Comics #1-4. Peddy then moved to Harvey and then Quality, working out of the Iger shop. At Quality he worked on such features as Don Glory, Duke O'Dowd, Hercules, Rookie Rankin, but is best remembered as the co-creator of The Phantom Lady

Peddy left Quality in 1942 and didn't resurface till 1947 at DC, most likely his career being interrupted by a little thing called World War II. At DC Peddy drew Doctor Mid-Nite, Black Pirate, Wildcat, Hop Harrigan and The Justice Society of America. In 1952 Peddy jumped to Marvel where he drew War and mystery stories. He worked for both DC and Marvel up till 1956, when he went back to DC full-time.

He drew War books through 1957 when he then switched full-time to romance and finished out he career at DC doing romance books till 1971. He had one more story printed after that, in Batman #238 DC published a Golden Age Atom story intended for Flash Comics #105. The unpublished work was inked by Bob Oksner.

Our book ends with our cover story  "I Found My Love at the Woodstock Festival," a ten-page tale drawn by Murphy Anderson. There is debate on this story as well, some say Anderson is only the inker, but I certainly can't tell for sure. You can read more on this story on the excellent Romance Comic Blog Sequential Crush

This book was edited by Murray Boltinoff.

Friday, June 18, 2010

Falling in Love #117

Falling in Love #117
 (On Sale: June 18, 1970) has a nice cover by 
Werner Roth and Vinny Colletta

We begin with our cover story, "Never a Bride to Be" drawn by Artie Saaf and Vinny Colletta.

Next is "Bachelor Girl" with inks by Bernard Sachs.

That is followed by "Tips for Vacation-Time Tourists" a two-page text story with artwork by Arthur Peddy and Vinny Colletta

We end with "Cheating on Me" also drawn by Artie Saaf and Vinny Colletta.

Edited by Murray Boltinoff

Friday, June 12, 2009

Young Romance #161

Young Romance #161 (On Sale: June 12, 1969) has a cover penciled by Arthur Peddy.

We begin with "Dance with Me, Darling" a reprint from Secret Hearts #38 inked by Bernard Sachs. Next is "Heartbreak" inked by Vinny Colletta. That is followed by "Teen-Age Queen of the Year" penciled by John Rosenberger. We end with "My First Love Was My Last Love" also penciled by John Rosenberger.

Edited by Joe Orlando.

Wednesday, May 27, 2009

Girls' Romances #142

Girls' Romances #142 (On Sale: May 27, 1969) has a cover by Jay Scott Pike and Vinny Colletta.

We begin with "No Love for Janie" penciled by Jay Scott Pike. If the cover is any indication, it was likely inked by Vinnie Colletta. That is followed by "Possessed by My Love" also penciled by Jay Scott Pike. Next is an untitled Betty's Boutique penciled by John Rosenberger. Lastly is "Meant for Each Other" a reprint from Secret Hearts #36 and drawn by Arthur Peddy and Bernard Sachs.

Edited by Murray Boltinoff.

Wednesday, May 6, 2009

Falling In Love #108

Falling In Love #108 (On Sale: May 6, 1969) has an ugly cover by Ric Estrada and Vinny Colletta. I blame Colletta.

We lost Ric Estrada on May 1, 2009 to cancer. Ric drew his first story for DC, a war story for Our Army At War in 1955 and his second story, a romance tale for Girls' Romance in 1967. He started his long run beginning in 1968 and would end his association with DC in 1986. He would draw 289 stories in all for DC.

Sure he was the guy they went to for romance and war stories, but Ric drew lots of other things. He had a story in every issue of Hot Wheels except the first one. He drew the first seven issues of Amethyst. He did comedy in Plop and Welcome Back Kotter He didn't like drawing super-heroes, but he did a dozen Wonder Woman stories and numerous issues of Richard Dragon: Kung Fu Fighter, Super Friends, Blackhawk and the Karate Kid. He did the Legion of Super-Heroes, Wonder Girl, The Creeper, Beowulf, Isis, The Justice Society of America, and the Freedom Fighters. Ric could do it all.

I'm just going to lift liberally here from Mark Evanier's post the morning Ric died.
Ric was born February 26, 1928 in Havana, Cuba and began selling his work at age 13 to a popular Cuban magazine called Bohemia. He attended University of Havana where, he always claimed, another student was Fidel Castro.

Via a relative, he developed a friendship with Ernest Hemingway, who took an interest in the young artist's work and encouraged him to relocate to New York. Ric moved there at age 20 but never stayed in one place for very long, traveling the world and living briefly in dozens of other cities. Whenever he was back in Manhattan, he managed to work in comic books, including two of his proudest jobs...stories for the EC war comics edited and written by Harvey Kurtzman. Other companies that were glad to have his art included Hillman, Western Publishing, St. John and Ziff-Davis.

Ric occasionally dabbled in newspaper strips, including assisting on Flash Gordon and drawing some of the Flash Gordon comic books. Most of his comic book work was done in the sixties and seventies for DC, primarily on romance and war comics. But there was a period where (against his preference, he said), he was assigned to super-hero titles, primarily as a "rough penciller." Ric didn't like super-heroes and didn't feel he had the flair for them, and he also didn't like producing anything less than finished artwork. Still, that was where he was told his services were needed so he penciled comics like All-Star Comics, Freedom Fighters and Karate Kid.

Despite the grief it caused him and his own dissatisfaction with the work, it was often quite wonderful...though not as grand as when Ric was allowed to be Ric. Besides, Ric was never satisfied with his own work. In the seventies, he did several war stories for DC's combat titles that garnered great praise, particularly from his fellow artists. It was hard to tell Ric how good you thought they were without him blushing red and giving you an honest, humble argument.

In the 80's Ric moved to Los Angeles and worked for the Hanna-Barbera studio as a designer and layout artist. He was much-loved about the building...and repeatedly flattered as younger artists sought him out to praise his comic work.

Ric was married three times and had eight children. One son, Seth, is currently producing a documentary on his father. You can find out more about it at the Ric Estrada website and view some of the raw footage on this page.
I always liked Ric's work. My wife and I shared an elevator with Ric at the San Diego Comic-Con a few years ago. He walked in and I said "Hi, great to see you." Ric sees that his name tag is backwards and says, "You don't even know who I am." I said, "Ric, you are one of those guys who looks like you were drawn by you. Of course I know who you are." I think he was kind of shocked than anyone recognized him. He was a very self-effacing guy and you couldn't help liking him. I always liked his artwork.

We begin with "Does He Still Love Her?" drawn by John Rosenberger and later reprinted in Young Romance #197. That is followed by our cover story, "Don't Pity Me -- Love Me" drawn by Ric Estrada and Vinny Colletta. Next is "The Write Time to Love" drawn by Wally Wood and Vinny Colletta. Lastly we have "Heart of a Lifetime" drawn by Arthur Peddy and Bernard Sachs.

Edited by Murray Boltinoff

Wednesday, April 22, 2009

Heart Throbs #120

Heart Throbs #120 (On Sale: April 22, 1969) has an interesting cover art combination: Jay Scott Pike and Neal Adams.

We begin with the 15-page serial, "Three Girls -- Their Lives...Their Loves, Episode 19," drawn by Jay Scott Pike. That is followed by "For Love Alone" a reprint from Secret Hearts #36 drawn by Arthur Peddy and  Bernard Sachs.

Next is "Give Me Something to Remember You By" by persons unknown. We round out the issue with "Memory of Heartbreak" drawn by Jay Scott Pike.

Edited by Joe Orlando.

Friday, March 20, 2009

Falling In Love #107

Falling In Love #107 (On Sale: March 20, 1969) has a cover the GCD says is inked by Vinny Colletta, but I don't think so. There is a weakness around the woman's face that Colletta was known for, but the boldness of the strokes in the wedding dress and all of the people in the background are not Colletta-like at all.

We begin with "A Kiss for Cinderella" from Heart Throbs #59 drawn by Arthur Peddy and Bernard Sachs. That is followed by "I Hated the Boy I Loved" penciled by John Rosenberger. Finally we have "One Love Too Many" inked by Vinny Colletta.

Edited by Murray Boltinoff.

Friday, February 6, 2009

Falling In Love #106

Falling In Love #106 (On Sale: February 6, 1969) has a cover by Ric Estrada and someone else, not sure who the inks are by. This issue also sports a new logo and a new editor.

"Kiss Me Goodbye" is a reprint from Heart Throbs #57 and is drawn by Arthur Peddy and Bernard Sachs. "It Just Can't Happen" is penciled by Tony Abruzzo and our cover story, "Loved -- But Not Wanted" is penciled by Ric Estrada.

Edited by Murray Boltinoff.

Friday, December 12, 2008

Young Romance #158

Young Romance #158 (On Sale: December 12, 1968) has a cover inked by Dick Giordano, but I'm not sure of the pencils. I am sure that this is not the work of Nick Cardy as credited in the Grand Comics Database Project.

We begin with "Driftwood" penciled by John Rosenberger. Next is "The Girl from Yesterday" a reprint from Falling In Love #49 drawn by Arthur Peddy and Bernard Sachs. The issue rounds out with "One Heart Must Break" by persons unknown.

Edited by Joe Orlando.

Wednesday, June 11, 2008

Young Romance #155

Young Romance #155 (On Sale: June 11, 1968) has a cover pencilled by Jay Scott Pike.

"Love is What It's All About" is drawn by Mike Sekowsky and Joe Orlando. "His Ring Around My Finger" is a reprint from Falling In Love #52 drawn by Arthur Peddy and Bernard Sachs. Lastly we have "He'll Break Your Heart" drawn by Ric Estrada.

Edited by Joe Orlando.

Wednesday, May 14, 2008

Girls' Love Stories #136

Girls' Love Stories #136 (On Sale: May 14, 1968) has a cover pencilled by Tony Abruzzo.

The issue begins with a Cindy The Salesgirl story, "Teen Style" by persons unknown. This is followed by "My Only Love" drawn by Arthur Peddy and Benard Sachs. Next is "His Name is -- Jerry" pencilled by Jay Scott Pike, followed by our cover-story, "Sweet Mystery of Love" pencilled by Tony Abruzzo.

Edited by Jack Miller.

Wednesday, March 19, 2008

Falling In Love #99

Falling In Love #99 (On Sale: March 19, 1968) has a very mod cover by Ric Estrada.

A few years ago I shared an elevator in my hotel at the San Diego Comic-Con with Ric and I said something like, "I've always enjoyed your work." Ric responded by making sure his badge was not showing and then saying, "You have no idea who I am." I guess Ric was not used to being recognized. I said, "Ric, you are one of those guys who looks like you were drawn by you; your face looks like a Ric Estrada face."

Inside "Two Faces of Love" is drawn by John Rosenberger, "Stolen Dreams" drawn by Arthur Peddy and Bernard Sachs, and "Slave to Love" drawn by Ric Estrada.

Edited by Jack Miller.