All-Star Western #8

All-Star Western #8 (On Sale: August 5, 1971), has an Outlaw cover by Tony DeZuniga.

We begin with Outlaw: Billy the Kid in "The Scavenger" by John Albano and Tony DeZuniga. Billy the Kid gets arrested for gunning down two men and is locked up with a one-eyed scavenger who tries to take her boots. However, when the Sheriff gets mixed up, the one-eyed man stabs the Sheriff and takes his boots instead. Billy and the scavenger then decide to escape jail together.

However, when making their escape, they are stopped by robbers who want to know the location of where the scavenger hid their loot. When they find out that Billy is a girl, the scavenger talks them into drawing against her, Billy, with the scavenger's help, gets the draw on them and shoots them all dead. The scavenger then tells Billy to leave without him as he's going to occupy himself with the pickings of the dead, but in reality, the scavenger was only making an excuse to stay behind and hold the law that is after Billy occupied while she got away. Reprinted in Showcase Presents Jonah Hex Vol. 1 TPB (2006).

Next up is Buffalo Bill in "The Magic Thunderstick" by Dave Wood and Joe Kubert and reprinted from Frontier Fighters #3 (1956).

Our next reprint is Pow-Wow Smith in "The Sheriff's Birthday Party" by Gardner Fox and Carmine Infantino and reprinted from Western Comics #78 (1959). 

Next, we have "Timber Wolf" drawn by Gil Kane and Tony DeZuniga. Ben Armstrong is herding a steer and a cow to his ranch when a timber wolf starts hunting them.

We end this El Diablo-less issue with Davy Crockett in "The Renegade Fur-Traders" drawn by John Prentice and reprinted from Frontier Fighters #6 (1956).

Edited by Joe Orlando.

DC 100-Page Super Spectacular #4

DC 100-Page Super Spectacular #4 (On Sale: June 17, 1971), has a nice cover by Berni Wrightson. There were no issues 1-3 and the first three published issues (4-6) had subtitles - the first two of which were later used for ongoing comics series and the third became the title of a series of Mego figures based on comics super-heroes: #4 "Weird Mystery", #5 "Love Stories", and #6 "World's Greatest Super-Heroes".

The title then became the replacement for the "Giant" comics series (previously "80 Pg Giant") which ran as part of regular, ongoing series titles (i.e., #7 also known as Superman #245, #8 aka Batman #238, #9 aka Our Army at War #242, #10 aka Adventure Comics #416, #11 aka The Flash #214, #12 aka Superboy #185 and #13 aka Superman #252) for six issues.

Then, even later on, it reverted back to its own title again (#14 through #22, utilizing as cover titles the existing titles of regular, ongoing series, but not being part of those regular series' numbering - in other words, no corresponding issue numbers for those issues.

The planned issue #23 became Shazam! #8 and the Super Spectacular's own numbering disappeared and advertisements were added. The DC 100 Page Super Spectacular title itself was used on another 96 issues of varying regular, ongoing titles through 1975.

We begin this issue with a one-page Table of Contents by Sergio Aragones and that is followed by a one-page introduction drawn by Berni Wrightson. 

Next up is "I Was the Last Man on Earth" drawn by Mort Drucker and reprinted from My Greatest Adventure #8 (1956).

That is followed by "The Phantom Enemy" drawn by Carmine Infantino and Sy Barry and reprinted from Sensation Mystery #116 (1953).

Next, we have "I Fought the Clocks of Doom" drawn by Mort Meskin and reprinted from My Greatest Adventure #14 (1957).

That brings us to  "The Witch's Candles" drawn by John Prentice and reprinted from House of Secrets #2 (1957).

We have another Sergio Aragones humor page next, followed by a one-page Eerie Tales introduction page by Berni Wrightson.

Next is "I Was Lost in a Mirage" drawn by Mort Meskin and reprinted from My Greatest Adventure #12 (1956).

That is followed by Johnny Peril in "Horror in the Lake" by Robert Kanigher, Frank Giacoia, and Sy Barry and reprinted from Sensation Mystery #110 (1952).

Next up is The Phantom Stranger in "The Haunters from Beyond" by John Broome, Carmine Infantino, and Sy Barry and reprinted from Phantom Stranger #1 (1952). Anne Parris is haunted by two ghosts from the Salem witch trials. The ghosts blame Anne's ancestors for their deaths and curse her in revenge. Anne becomes distraught and nearly kills herself, but the Phantom Stranger stops her. He takes her home, where the ghosts show up again.

The Stranger is suspicious, so after the ghosts leave he asks Anne to stage her own death. Within minutes Anne's cousin Bryce and his fiancee arrive on the scene. The Phantom Stranger proves that they were the ones disguised as ghosts and forces Bryce to confess he set Anne up in order to steal her inheritance. After the pair are arrested, the Phantom Stranger disappears.

We have yet another Berni Wrightson introduction page, this one on Monsters.

That is followed by "I Was the Last Martian" drawn by Jim Mooney and reprinted from My Greatest Adventure #20 (1958).

Next, we have  "I Hunted the World's Wildest Animals" drawn by Nick Cardy and reprinted from My Greatest Adventure #15 (1957).

Another Berni Wrightson introduction, this on Science Fiction is followed by "The City of Three Dooms" drawn by Mort Meskin and reprinted from Tales of the Unexpected #15 (1957).

Next, is  "Jungle Boy of Jupiter" drawn by Lou Cameron and reprinted from Tales of the Unexpected #24 (1958).

Next up is "Childhood Haunt" a one-page text story illustrated by Berni Wrightson.

Our last reprint is "The Mysterious Mr. Omen" drawn by Leonard Starr and reprinted from House of Mystery #49 (1956).

We end with a one-page humor story Weird Tales by Lore Shoberg.

Edited by Joe Orlando.

All-Star Western #7

All-Star Western #7 (On Sale: June 8, 1971), has a beautiful Outlaw, Billy the Kid, cover by Tony DeZuniga.

We begin with Outlaw, Billy the Kid, in "Bullet for a Gambler" by John Albano and Tony DeZuniga. After being saved twice by a man named Ace, from attacking Indians, Billy the Kid agrees to go with Ace to be safe from further attacks. Ace has a case of tuberculosis and is dead set on killing any Indian that happens on his path. However, the two are surrounded soon after Ace indiscriminately kills a hunting party.

However, the Indians let Billy go, as Billy tried to stop Ace from killing the Indian chief's son. Not wishing to be burned alive, Ace demands that Billy pay his debt, and reveals that he was the killer of Billy's father and that he knows that Billy is really a girl. Billy agrees to kill Ace in a draw only, and Ace tricks Billy into shooting him by not drawing when it's time to shoot. Reprinted in Jonah Hex and Other Western Tales #1 (1979) and Showcase Presents Jonah Hex Vol. 1 TPB (2006).

Next up is Davy Crockett in "The Challenge of Black Warrior" drawn by John Prentice and reprinted from Frontier Fighters #1 (1955).

That is followed by Buffalo Bill in "The Tenderfoot Caravan" by Dave Wood and Joe Kubert and reprinted from Frontier Fighters #1 (1955).

We end with El Diablo in "The Gypsy Curse" by Robert Kanigher, Alan Weiss, and Dick Giordano. Santano, a gypsy king, is convicted of crimes and sentenced to death by hanging. He issues a curse on those who persecuted him. 

Princess Nurka, Santano's daughter mourns the loss of her father and El Diablo tries to comfort her, but the other gypsies chase him away. Later Santano's curse unfolds, as the judge and sheriff are murdered. El Diablo is accused of the crime and thrown in jail. Nurka rescues him. That night Hutton, the man who hung Santano is killed. El Diablo catches the killer only to discover it is Nurka. She is arrested. As El Diablo rides out of town Nurka lays a curse on him, but El Diablo knows that he is already cursed.

Edited by Joe Orlando.

DC Special #10

DC Special #10  (On Sale: November 5, 1970), has another cool cover by Nick Cardy.

We begin with "Nightstick" drawn by Curt Swan and Ray Burnley and reprinted from Gangbusters #33 (1953).

Next is "The Three-Foot Sleuth" drawn by the Atlas team of Joe Maneely and Joe Sinnott. and reprinted from Gangbusters #61 (1957).

This is followed by "The Cop Without a Gun" drawn by Ruben Moreira and reprinted from Gangbusters #58 (1957).

Next we have "The Greatest Villain of All Time"  by Jack Miller and Mort Meskin. Detective Harry Fowler was called onto the scene of a strange crime. A man dressed as a character re-enacted a scene from one of Fowler's old movies that he wrote before he became a detective, and stole an antique clock. Harry and Sergeant Collins follow the clues from each of Harry's four movies, just missing the criminal at the scene of the crime. However, through the process of elimination, they discover the thief's identity is the movie director Leif Conrad, who worked with Harry on his pictures.

Finally, they caught up to him when he was re-enacting Fowler's "Phantom of the City", getting ready to jump off a bridge in the famous 'death-dive' scene. Harry manages to trick him by yelling "Cut!", causing Conrad to hesitate. The cops are then able to bust him. Reprinted from Showcase #5 (1956).

This is followed by "The Hostages" drawn by Curt Swan and Ray Burnley and reprinted from Gangbusters #40 (1954). 

Next comes "The Two Faces of Mr. X" by Jack Miller, Curt Swan and Sy Barry. The FBI hires billboard model Don Reed to portray a known criminal overlord, Alex Tate. Tate is supposed to be receiving a list from his lieutenants naming all the underlings in his employ. The FBI captures Tate so that Reed can switch places with him. But unbeknownst to all, Tate was also scheduled to have plastic surgery that day, so that he could change his appearance.

Fortunately, the surgeon, Doctor James, was being forced by the thugs to do the job, so while Reed and the doctor were back in the surgery room, the two of them came up with an exit strategy. While Reed, wearing bandages over his face, distracted the criminals, Doctor James came out with the knockout gas canister and sprayed the men with its contents. Afterward, the FBI came charging in, arrested Tate's thugs, and retrieved the lists of underlings. Reprinted from Showcase #5 (1956)

That is followed by Fireman Farrell: "Fire Under the Big Top" by Arnold Drake and John Prentice. Fireman Farrell reports to Lieutenant Reiner's office where Farrell is informed he will be tagging along with Reiner to perform some fire inspections in the city. Their first destination is the carnival where a major fireworks display will be performed that evening. They confront the manager, Phil Baylor, over the fact that he has not registered with the department and inform him he will have to cancel his show. Baylor's workers complain that he is more concerned with making money than making sure customers are safe, but the unscrupulous manager shrugs off their concerns.

Farrell and Reiner continue their inspection, but the lieutenant soon leaves to complete paperwork, making Farrell work alone. Later, night falls with Farrell still at work, and he is startled from his inspection tour by a firework explosion. The firework goes off course, landing in a big circus tent and starting a fire. Farrell calls for help and rushes to the scene only to find that a child has been left inside. The brave fireman rescues the child and is told that the circus animals are now in danger. While people work to rescue the animals, other local firefighters soon arrive, and Farrell suits up. A lion escapes, but Farrell makes short work of it with the water hose.

As the firemen work to check the spread of the blaze, they notice an elephant trapped on the track of a roller coaster. Using the firetruck and ladder like a crane, Farrell rescues the baby animal, and Baylor is arrested and taken to jail. Reprinted from Showcase #1 (1956)

We end with "Swamp Dragnet" drawn by Nick Cardy and reprinted from Gangbusters #65 (1958).

Edited by Murray Boltinoff.

DC Special #6

DC Special #6 (On Sale: November 11, 1969) has a beautiful cover by Neal Adams with a really big logo for The Wild Frontier issue.

We begin with Daniel Boone in "Son of Chief Black Fish" from Legends of Daniel Boone #1, drawn by Nick Cardy. Next is Tomahawk in "The Junior Ghost Patrol" from World's Finest Comics #69 by Dave Wood and Nick Cardy. That is followed by Davy Crockett in "War Stick of Chief Fighting Elk" from Frontier Fighters #4, drawn by John Prentice. That is followed by Kit Carson in "The Raiders of the Oregon Trail" also from Frontier Fighters #4 and drawn by Howard Sherman. We have Buffalo Bill in "Young Bill -- of the Pony Express" from Frontier Fighters #6 by Dave Wood and Joe Kubert. We end with Pow-Wow Smith in (The Tenderfoot Deputy) from Detective Comics #178 and drawn by Leonard Starr.

Edited by Dick Giordano.

DC Special #4

DC Special #4 (On Sale: May 22, 1969) has a cover by Neal Adams for the 13 Shock-Ending Stories issue.

We begin with a framing sequence for 13 Shock-Ending Stories 13 by Mark Hanerfeld and Bill Draut. This is famous for being the first appearance of Abel, caretaker of the House of Secrets. Not only did Hanerfeld write Abel's first appearance he is the original model for Abel.

Next is "Ghost Writer" drawn by Leonard Starr and reprinted from House of Mystery #19. That is followed by "The Magic Hammer" drawn by Jack Kirby and reprinted from Tales of the Unexpected #16 where it was originally entitled "The Magic Stick."

We next have "A Piece of Rope" from House of Mystery #5. Jerry Grandenetti drew "Last Mile Martin" from House of Mystery #15 "The Dream Lamp " is drawn by John Prentice and is reprinted from Tales of the Unexpected #1.

Next is "Door of No Return" written by Murray Boltinoff and drawn by George Roussos and reprinted from House of Secrets #62. That is followed by "Beware after Dark" drawn by Carmine Infantino and Joe Giella and reprinted from Sensation Mystery #114.

"The Tree Man of Tanganyika" comes to us from House of Mystery #30 and is drawn by Ralph Mayo. Ralph Mayo was the art director of AC Comics in the 1940s. He drew 'Black Terror and Tim' for America's Best Comics, Black Terror and Exciting Comics. He also penciled some 'Miss Masque' splash pages. In the 1950s he drew Jann of the Jungle for Marvel, 'Camilla' for Fiction House and crime stories for Lev Gleason and St. John. He was penciller and/or inker on Dell titles like Dragoon Wells Massacre, Jungle Jim, Lassie, Quentin Durward and Roy Rogers. His first work for DC was in Mr. District Attorney #2 in 1948. He worked mainly on the Johnny Quick feature in Adventure Comics and drew 66 stories in all for DC before his death in 1956. Some of his last work was with Al Williamson on Jann of the Jungle.

Next is "Written in the Sands" drawn by George Papp and reprinted from House of Mystery #26. "The Secret of Salzo the Great" comes to us from artist John Prentice and House of Mystery #2. That is followed by "Secret Locked in the Ice" from House of Secrets #63 and the pen of artist Gene Colan.

Rounding out the issue is "The Bullet Man" drawn by Bernard Baily from Tales of the Unexpected #17 and "The Strange Faces of Death" drawn by Ruben Moreira and reprinted from House of Mystery #19.

Edited by Joe Orlando.

Doom Patrol #117

Doom Patrol #117 (On Sale: December 5, 1967) has a dramatic Bob Brown cover.

"The Black Vulture" is by Arnold Drake and Bruno Premiani. The Chief is deserted by the Doom Patrol after his new relationship with Madame Rouge causes him to neglect his duties as their leader. He then must fight alone against the Black Vulture, an old foe who has become a costumed criminal with a bird motif. The Doom Patrol returns in time to help battle the Vulture and his trained birds, but they in turn must be rescued by the arrival of the Chief's Indian friend, White Feather, and his warriors, who also have an old score to settle with the Black Vulture.

The back-up story is "The Man of 100 Wigs" by Jack Miller and John Prentice, a reprint from Tales of the Unknown #3.

Edited by Murray Boltinoff.