Showing posts with label Frank Giacoia. Show all posts
Showing posts with label Frank Giacoia. Show all posts

Friday, July 1, 2016

Ghosts #1

Ghosts #1 (On Sale: July 1, 1971), has a cover by Nick Cardy.

I guess I was one of the few readers who were bored by just about every book Murray Boltioff was editor of except the Brave and the Bold. Since it was mainstream DC, I bought this series but never cared for it at all, and the gimmick of "true" stories just made it even worse. Despite how I felt about it, this title would last for over eleven years.

Interesting tidbit: The indicia reads just Ghost, with a lot of white space on both sides of the word. The cover and later issues read as Ghosts. It appears that the book was at first to be titled True Ghost Stories, thus the white space in the indicia, but then it was changed to just Ghosts. When they updated the indicia they whited out "True" and "Stories," but they forgot to add the "s."

We begin with a one-page introduction to ghosts drawn by Tony DeZuniga.

Our first take is "Death's Bridegroom" by Leo Dorfman and Jim Aparo. The police discover the body of a young woman who committed suicide, with a note saying she took her own life because the man she was engaged to only courted her to steal her life savings and leave her penniless in a tenement. The swindler who stole from her ends up lost in a fog as he skips town, and comes across a mansion owned by a strange beautiful woman who claims to be waiting for her long-lost fiance. She seems the perfect new target to him, but little does he know she and her home have long rotted away and with his proposal, he joins her in the fog. Reprinted in Limited Collectors' Edition C-32 (1974).

That is followed by "Ghost in the Iron Coffin" by Leo Dorfman and Sam Glanzman. A resistance fighter is caught and executed while trying to sabotage a Nazi U-Boat but haunts the vessel killing its crew until he's able to use his spiritual powers to turn the U-Boat's own torpedoes against it and destroy it.

Next up is our first reprint: "The Tattooed Terror" by John Broome, Carmine Infantino, and Sy Barry and reprinted from Sensation Mystery #112 (1952).

We have another reprint up next in "The Last Dream" by John Broome, Carmine Infantino, and Frank Giacoia and reprinted from Sensation Comics #107 (1952). Tybalt Fletcher, the last of his line, dies in a feud with the Beaumont clan. His ghost then spends the next 400 years killing Beaumonts with the pistol he requested to be buried with.

We end with "The Spectral Coachman" by Leo Dorfman and Tony DeZuniga. Tombstone, Arizona, draws its name from the town graveyard where the greatest badmen of the west are buried. But tonight one of them lives again when a young modern prospector is rescued from a pack of wolves by the ghost of a long-dead stagecoach driver. Reprinted in Limited Collectors' Edition C-32 (1974).

All of the new material was reprinted in Showcase Presents Ghosts Vol. 1 TPB (2012).

Edited by Murray Boltinoff.

Friday, June 17, 2016

DC 100-Page Super Spectacular #4

DC 100-Page Super Spectacular #4 (On Sale: June 17, 1971), has a nice cover by Berni Wrightson. There were no issues 1-3 and the first three published issues (4-6) had subtitles - the first two of which were later used for ongoing comics series and the third became the title of a series of Mego figures based on comics super-heroes: #4 "Weird Mystery", #5 "Love Stories", and #6 "World's Greatest Super-Heroes".

The title then became the replacement for the "Giant" comics series (previously "80 Pg Giant") which ran as part of regular, ongoing series titles (i.e., #7 also known as Superman #245, #8 aka Batman #238, #9 aka Our Army at War #242, #10 aka Adventure Comics #416, #11 aka The Flash #214, #12 aka Superboy #185 and #13 aka Superman #252) for six issues.

Then, even later on, it reverted back to its own title again (#14 through #22, utilizing as cover titles the existing titles of regular, ongoing series, but not being part of those regular series' numbering - in other words, no corresponding issue numbers for those issues.

The planned issue #23 became Shazam! #8 and the Super Spectacular's own numbering disappeared and advertisements were added. The DC 100 Page Super Spectacular title itself was used on another 96 issues of varying regular, ongoing titles through 1975.

We begin this issue with a one-page Table of Contents by Sergio Aragones and that is followed by a one-page introduction drawn by Berni Wrightson. 

Next up is "I Was the Last Man on Earth" drawn by Mort Drucker and reprinted from My Greatest Adventure #8 (1956).

That is followed by "The Phantom Enemy" drawn by Carmine Infantino and Sy Barry and reprinted from Sensation Mystery #116 (1953).

Next, we have "I Fought the Clocks of Doom" drawn by Mort Meskin and reprinted from My Greatest Adventure #14 (1957).

That brings us to  "The Witch's Candles" drawn by John Prentice and reprinted from House of Secrets #2 (1957).

We have another Sergio Aragones humor page next, followed by a one-page Eerie Tales introduction page by Berni Wrightson.

Next is "I Was Lost in a Mirage" drawn by Mort Meskin and reprinted from My Greatest Adventure #12 (1956).

That is followed by Johnny Peril in "Horror in the Lake" by Robert Kanigher, Frank Giacoia, and Sy Barry and reprinted from Sensation Mystery #110 (1952).

Next up is The Phantom Stranger in "The Haunters from Beyond" by John Broome, Carmine Infantino, and Sy Barry and reprinted from Phantom Stranger #1 (1952). Anne Parris is haunted by two ghosts from the Salem witch trials. The ghosts blame Anne's ancestors for their deaths and curse her in revenge. Anne becomes distraught and nearly kills herself, but the Phantom Stranger stops her. He takes her home, where the ghosts show up again.

The Stranger is suspicious, so after the ghosts leave he asks Anne to stage her own death. Within minutes Anne's cousin Bryce and his fiancee arrive on the scene. The Phantom Stranger proves that they were the ones disguised as ghosts and forces Bryce to confess he set Anne up in order to steal her inheritance. After the pair are arrested, the Phantom Stranger disappears.

We have yet another Berni Wrightson introduction page, this one on Monsters.

That is followed by "I Was the Last Martian" drawn by Jim Mooney and reprinted from My Greatest Adventure #20 (1958).

Next, we have  "I Hunted the World's Wildest Animals" drawn by Nick Cardy and reprinted from My Greatest Adventure #15 (1957).

Another Berni Wrightson introduction, this on Science Fiction is followed by "The City of Three Dooms" drawn by Mort Meskin and reprinted from Tales of the Unexpected #15 (1957).

Next, is  "Jungle Boy of Jupiter" drawn by Lou Cameron and reprinted from Tales of the Unexpected #24 (1958).

Next up is "Childhood Haunt" a one-page text story illustrated by Berni Wrightson.

Our last reprint is "The Mysterious Mr. Omen" drawn by Leonard Starr and reprinted from House of Mystery #49 (1956).

We end with a one-page humor story Weird Tales by Lore Shoberg.

Edited by Joe Orlando.

Wednesday, June 15, 2016

In the Days of the Mob #1

In the Days of the Mob #1 (On Sale: June 15, 1971), has a strange cover by Jack Kirby and Frank Giacoia on this, DC's first black and white magazine (if we don't count MAD, and really, why would we?).

We begin with "Welcome to Hell" written and penciled by Jack Kirby and inked by Vince Colletta. Introduction to the stories ahead by Warden Fry, the warden of hell in charge of the section patterned after a maximum-security prison. The artwork throughout is black and white with wash tones.

Next up is "Ma's Boys" written and penciled by Jack Kirby and inked by Vince Colletta. This is the tale of Kate Clark Barker, Ma Barker, and her savage children. She taught them to be like her and it was the end of them. The first to go was Herman, who killed a police officer in Pine Bluffs, Wyoming, and paid the ultimate price when the police caught up with him in 1927, and rather than be caught, he shot himself. Freddy and Ma herself were killed in a shootout in Florida in 1935. In 1939 Doc Barker was killed trying to escape from Alcatraz. The last of the Barker boys, Lloyd was captured and became a model prisoner who eventually was released from Atlanta Federal Prison, He went straight and moved to Colorado, but violence, in the form of his girlfriend, followed and he was gunned down by her during an argument in 1947.

The book is structured like one long story, with the Warden moving between them. Next is "Bullets for Big Al" written and penciled by Jack Kirby and inked by Vince Colletta. The story follows New Your mob bosses Guiseppi Aiello and Guinta's attempt to move in on Al Capone's turf. When given the news that he is out, Capone throws a huge party for the new boss. Guiseppi has hired two of Capone's own men to do him in at the party, but as they head off to it, their car explodes, killing them both. The two Guiseppi's are unaware that their hired guns are dead as Capone appears at the party. Once there, big Al takes care of his rivals. Capone remained the boss of Chicago till the feds finally caught up with him.

That is followed by a text and photo feature "The Breeding Ground" with photographs about life in the 1930s and "Funeral for a Florist!" a text story by Mark Evanier and Steve Sherman with an illustration by Jack Kirby and Vince Colletta.

Our next story is "The Kansas City Massacre" written and penciled by Jack Kirby and inked by Vince Colletta. Warden Fry shows up at a train station in Kansas City in 1933. A train arrives and federal officers escort Frank "Jelly" Nash off the train. As they are putting him into a car, Pretty Boy Floyd and his gang arrive to free Nash, only in the resulting gunfight Nash and all the feds are killed. As reinforcement arrive, Floyd and his gang escape and the rest is history.

Next is "Method of Operation" also written and penciled by Jack Kirby and inked by Vince Colletta. This final story is regarding Country Boy and his love of fishing and women and how those loves proved to be his downfall. But in the end, the Warden lets Country Boy out of hell. 

Next are two pages of "Kill Joy Was Here" cartoons by Sergio Aragones and a Wanted Poster for John Dillinger to round out the one and only issue of In the Days of the Mob.

Most everything was reprinted in In the Days of the Mob HC (2013) and DC Universe: The Bronze Age Omnibus by Jack Kirby HC (2019).

Edited by Jack Kirby.

Wednesday, April 6, 2016

Secret Hearts #152

Secret Hearts #152 (On Sale: April 6, 1971), has a cover by Don Heck and Frank Giacoia.

We begin with "My Father's Wife" by Jack Oleck and Tony DeZuniga. When Sherry's father remarries, she refuses to accept her new young stepmother and nearly drives her boyfriend away with her vicious attitude.

Next is "The Day I Fell in Love" by Robert Kanigher and John Romita reprinted from Falling in Love #59 (1963). Mary has wanted to be a successful actress for many years and has neglected her personal life to do so. This makes her unable to portray a woman in love onstage until she meets and falls for director Vincent May.

We end with "The Story of Karen" drawn by Jack Katz and Vince Colletta. Kathy is shocked when she begins to have feelings for another man while her fiance is away.

Jack Katz was born in Brooklyn, New York, on September 27, 1927. He attended the School of Industrial Art in New York City and began his comics career in 1943 working in the C. C. Beck and Pete Costanza studio on Bulletman. Katz used a number of pseudonyms such as Jay Hawk, Vaughn Beering, Alac Justice, Alec Justice, and David Hadley.

From 1946 to 1951, he worked as an art assistant on various King Features Syndicate comic strips, working briefly on Terry and the Pirates as an assistant to George Wunder. 

Katz went to work for Standard Comics in 1951 doing horror comics, war comics, and some romance comics until the company went out of business. From 1952 to 1956, Katz worked as a penciler and inker at the studio of Jack Kirby and Joe Simon, working alongside Mort Meskin and Marvin Stein. A slow worker due to heavy detailing, Katz was let go and moved on to Timely Comics under Stan Lee around 1954 where he worked on war and horror comics, as well as Westerns. In 1955 he left mainstream comics to paint and teach art, both privately and for the YMCA in New York City. 

Impressed by Jim Steranko's Captain America, Katz reentered mainstream comics in 1969 penciling Sub-Mariner #17 and three other stories for Marvel, a few stories for Skywald, and four stories for DC, this being the first.

But Jack Katz is better known for writing and drawing The First Kingdom,  a 24-issue, 768-page graphic novel that took Katz 12 years to complete. The first Kingdom was published as a black and white underground comic book. 

Edited by Dorothy Woolfolk.

Thursday, January 28, 2016

Detective Comics #409

Detective Comics #409 (On Sale: January 28, 1971), has a Batman cover by Neal Adams and Dick Giordano.

We begin with Batman in "Man in the Eternal Mask" by Frank Robbins, Bob Brown, and Frank Giacoia. Batman is called in to investigate after a portrait of late philanthropist Hiram Cronin is vandalized in the Gotham Museum. Batman visits the artist Rene Leclerq who is completing a portrait of the Caped Crusader. This portrait has also been vandalized.

Batman has Rene fix the painting, which they then unveil at the museum. That night, the vandal returns and Batman is waiting. However, Batman is knocked out. When he recovers, he tracks down Leclerq who is being confronted by Tracy Calhoun, a former portrait subject. 

Calhoun was disfigured in a car crash after Leclerq made him late for an appointment. The former athlete blames the artist and has been destroying his work. Batman arrives in time to save Leclerq. Calhoun is killed when his own portrait falls on top of him. Reprinted in Batman Illustrated by Neal Adams (2004), Showcase Presents: Batman Vol. 6 TPB (2016), Batman by Neal Adams Omnibus (2016), and Batman by Neal Adams #2 (2019).

Continuing from the last issue, our Batgirl Backup is "Night of the Sharp Horns" by Frank Robbins, Don Heck, and Dick Giordano. On the ranch of Don Alvarado, Batgirl waits for the return of a mysterious man who killed a bull the previous night. This time she witnesses the man practice fighting a bull. She interrupts the fight and unmasks him as Paco, an aspiring bullfighter. Paco claims not to have been responsible for the death of the other bull.

In interrupting the fight, Batgirl puts herself in the way of the bull. She flees and takes refuge in Alvarado's arena. There, another masked man directs a bull to attack her. She subdues the bull using rodeo skills. She then unmasks this man as Manolo, the mentor of bullfighter El Granados. Manolo explains that he wanted to kill the bulls to protect El Granados who is past his prime. El Granados agrees to retire from the sport. Reprinted in Showcase Presents: Batgirl Vol. 1 TPB (2007) and Batgirl: The Bronze Age Omnibus Vol. 1 HC (2018).

Edited by Julius Schwartz.


Tuesday, December 22, 2015

New Gods #1

New Gods #1 (On Sale: December 22, 1970), has an unusual cover by Jack Kirby. Some say this is inked by Frank Giacoia and some say it is inked by Don Heck. What we know for sure is that the Orion figure was taken from a presentation piece, as seen at Kirby Museum. 

This issue features "Orion Fights for Earth" or "More new ideas, characters, and concepts than you can shake a stick at" written and drawn by Jack Kirby and inked by Vince Colletta.

Ages ago good and evil gods alike perish in the destruction of the home of the old gods. This destruction resulted in the creation of two new planets: New Genesis, a place of light and good, and Apokolips, a place of darkness and evil. Now Orion, wielder of the Astro Force, is summoned to New Genesis, where he is greeted by Lightray then joins Highfather. Metron also arrives and together they learn the task set for Orion by the Source. The Source leaves a message in fire on Highfather's wall: "Orion to Apokolips -- Then to Earth -- Then to WAR."

Orion is sent to Apokolips, New Genesis' opposite. He does battle with Para-Demons and other soldiers, but he discovers that its ruler, Darkseid, is absent. Kalibak remains in his master's stead. As Orion prepares to engage Kalibak in battle, Metron arrives. Metron halts the battle and leads Orion to four humans which Darkseid has brought to Apokolips from Earth. Orion opens a Boom Tube and brings them back to Earth. He learns that Darkseid has already been active on Earth for some time in his attempts to find the Anti-Life Equation that will allow him to control the minds of all inhabitants of the universe.

Let's see, in this issue, we are introduced to Highfather, Lightray, Metron, Orion, Kalibak, Parademons, Dog Cavalry, Hunger Dogs, The Source, Apokolips, and New Genesis. This was reprinted in New Gods #1 (1984), Jack Kirby's New Gods TPB (1998), Millennium Edition: New Gods 1 (#24) (2000), Jack Kirby's Fourth World Omnibus Vol. 1 HC (2007), Jack Kirby's Fourth World Omnibus Vol. 1 TPB (2012), DC Comics Presents: Darkseid War 100-Page Super Spectacular #1 (2016), The Fourth World Omnibus by Jack Kirby (2017), and New Gods by Jack Kirby (2018).

Edited by Jack Kirby.

Thursday, December 17, 2015

Witching Hour #13

Witching Hour #13 (On Sale: December 17, 1970), has an amazing cover by Neal Adams. This is right up there as one of my favorite covers of all time. Love it, love it, love it!

In a delightful framing sequence drawn by Neal Adams, Cain and Abel from the House of Mystery and House of Secrets visit the three witches, for this is "New Year's Eve" at The Witching Hour.  

The first story is "The Maze" written by Marv Wolfman and Alan Gold and magnificently illustrated by Gray Morrow. Harold Beedle wakes up in a metal room, without memory or hope. A voice tells him his name and his goal: he is in a labyrinth with one million possible combinations and only one that leads to his reward. He wanders from room to room, hallway to hallway. Sometimes he sleeps, sometimes music and sound are blasted at him at painful volume. 

He cracks up, begs to die then begs to be kept alive then begs to die again. He wonders if he is already dead, but the voice tells him it is not so, he is alive and finally, he reaches the end of the maze, the maze that has been his home for one week, six days, and thirty-nine minutes. He exits the maze and finds a huge block of cheese waiting for him and two gigantic aliens, Spafon and Squatront, watching him as he lays down and dies. The aliens find this odd and decide that they need to find another specimen to test. This story was reprinted in Omega Men #24 (1985). In the letter column in Omega Men #24, it is revealed that these aliens were a prototype version of the Psions, created by Marv Wolfman, which were an integral part of the Omega Men series. The names of the two aliens, Spafon and Squatront, are also the names of two famous EC fanzines.

Cain mocks Abel for being frightened by the story in the continuing Neal Adams-drawn framing sequence. Mildred thinks she has a much better story to tell,

That leads us to "The Accursed Clay!" by Jack Miller, Jack Sparling, and Frank Giacoia. Arthur Delano was a sculpture of unfortunately minor talent. Good enough to sculpt, but lacking the greatness the museums required. One day a man arrives at his studio and offers him some ancient clay, enough for four statues. He tells him that the first statue will be great, the second greater still, the third almost a masterpiece, and the fourth will rival Rodin, Michelangelo, and Da Vinci. When Delano asks what he must pay, the man says he has asked for nothing in return, 

Delano starts on his first statue and it is the best thing he has ever done. A face appears in his mind and he is compelled to place it on the statue. The next morning he sees the same face on the front page of the paper, a man who died in a freak storm at sea. Deeming it a coincidence, Delano makes another statue and once again is compelled to put a specific face on it. As before the next day, the papers show the same man died by freak electrocution. Still going for a coincidence, Delano sculpts the third statue and when a face comes to him he tries to put a different one on the statue, but he is compelled to put the one he sees in his head. That man is also found dead, hit by a meteorite. Delano realizes he is killing these people by creating his artwork, so he deems to create no more. 

But the man who gave him the clay arrives and tells him he cannot stop, that he agreed to make four statues, and Delano once again finds himself compelled to create. This time, however, he adds the face of the man who sold him the clay, who falls to the floor. As he dies he whispers, "Not such a bad bargain. You have your masterpiece and I finally have my peace." What Delano never learns is that the man was an evil sorcerer named Rokk and that he was cursed, doomed to wander the earth until his image was duplicated exactly, as a place to hold his soul during death.

"The Accursed Clay!" was the last story written by Jack Miller, who passed away in 1969. Jacob Edward Miller (1908-1969), wrote under the name Jack E. Miller. Principally known as a creator of stories and editor for DC Comics. Miller created and wrote Sgt. Rock, as well as contributed to "Batman," "Superman," "Wonder Woman, "Showcase," Deadman, "Tarzan," "Action Comics," "Detective Comics," "Adventure Comics," "Aquaman," and "Phantom Stranger" comics. On TV he helped to create and wrote 25 episodes of "The Mighty Hercules" cartoon show from 1963-1966.

Continuing the Neal Adams framing sequence, Cain doubles over in laughter at this story and Mildred is none too happy about it. Just then, the Mad, Mod Witch from the Unexpected shows up. Cynthia has a tale of her own to tell.

"The Rush-Hour Ride of Abner Pringle!" is by Len Wein and Jose Delbo. On the night of April 18, 1775, there is a fourth man who rides to warn the people when the signal is given in the Old North Church. We never read of this man, Abner Pringle, because he has not finished his ride yet. That fateful night his horse stumbled in a hidden chuck-hole and Abner was thrown off, landing near a tree, where he slept till 1970. When he awakens he gets back on his horse and rids into Concord, causing traffic jams and almost getting arrested. When no one will take him seriously, he rides out of town, and once again his horse trips on the same chuck-hole. As he sleeps as the entire British Army marches by on their way to modern-day Concord and beyond.

Back at the Neal Adams' framing sequence, Cain rather liked this tale. The gathering is interrupted when Igor appears, a manuscript in his hands. 

We end with a one-page text story illustrated by Sal Amendola entitled "The Witching Hour Mistree." The entire book was reprinted in Showcase Presents: The Witching Hour Vol. 1 TPB (2011).

Edited by Dick Giordano.

Tuesday, December 15, 2015

From Beyond the Unknown #9

From Beyond the Unknown #9 (On Sale: December 15, 1970), has a cover by Gil Kane. Some say this is by Neal Adams, but some people will say anything.

We begin this issue with our cover story, "The Man Who Moved the World" by John Broome, Sid Greene, and Joe Giella and reprinted from Mystery in Space #34 (1956).

Next is "Riddle of Asteroid 8794" by Otto Binder and Frank Giacoia and reprinted from Mystery in Space #50 (1959).

That is followed by "The Two-Way Time-Traveler" by Gardner Fox, Carmine Infantino, and Joe Giella and reprinted from Strange Adventures #143 (1962).

Next, we have "The Man Who Aged Backwards" by Otto Binder, Manny Stallman, and Bernard Sachs and reprinted from Strange Adventures #96 (1958). A space traveler finds himself aging backward.

We next have "The Last Horse on Earth" by John Broome, Gil Kane, and Bernard Sachs and reprinted from Strange Adventures #108 (1959).

The next story is "The Sky-High Man" by Otto Binder, Mike Sekowsky, and Joe Giella and reprinted from Mystery in Space #49 (1959). 

We end this reprintalosa with "Doom-Trap for Earth" by Gardner Fox and Sid Greene and reprinted from Mystery in Space #72 (1961).

Edited by Julius Schwartz.

Tuesday, December 8, 2015

Unexpected #123

Unexpected #123 (On Sale: December 8, 1970), has a cover by Nick Cardy.

We begin with "Death Watch" by Carl Wessler and George Tuska. A man tries to get a wealthy businessman with a weak heart to give up the ghost and die so that he can move in on the widow and her wealth. However, as the ailing man's spirit moves closer to the realm of the dead, it is the greedy man's thoughts that give him the resolve to fight to remain in the land of the living.

Next is "Man in the Attic" by Carl Wessler, Dick Dillin, and Frank Giacoia. A strangler is loose in the city and the residents of a boarding house are quick to believe it is somebody living there.

Our next story is "Curse of the Sea Hag" also written by Carl Wessler, and this time, drawn by Jerry Grandenetti. Jerry sneaks aboard a cursed boat.

Carroll O. Wessler, better known as Carl Wessler, was born on May 25, 1913, and began as an animator in the 1930s, working on Musical Memories and other cartoon shorts for the Fleischer Studios in New York City. The studio fired him on March 30, 1937, for labor union organizing; after a subsequent strike by studio staff, lasting from May 7 to October 13 of that year, the studio settled, and Wessler and others were rehired. Wessler followed Fleischer when it relocated to Florida the following year. 

While continuing to work as an animator, Wessler began doing freelance art for comic books in 1943, through the studio Sangor-Hughes, a packager that produced outsourced comics for publishers entering the then-new medium. Wessler returned to New York when Fleischer relocated but began to move to comics full-time.  Wessler's earliest confirmed credits are as a cartoonist writing and drawing such funny animal features as "Snazzy Rabbit" and "Senorita Juanita McMouse" in Laffy-Daffy Comics #1 (Feb. 1945). He also wrote and drew the humorous feature "Happy Daze" in at least two issues of Lev Gleason Publications' Daredevil in 1951.

Wessler began writing for Atlas Comics in November 1950 with "The Mad Monk" about the historical figure Grigori Rasputin, published in Amazing Detective Cases #6 (May 1951). He soon became Atlas' primary crime fiction writer, often scripting entire issues of All-True Crime, Amazing Detective Cases, Crime Can't Win, Crime Exposed, Crime Must Lose, Justice, and Kent Blake of the Secret Service. In 1952 he became a member of the Atlas bullpen, where he wrote horror/fantasy stories for such titles as Adventures into Terror, Adventures into Weird Worlds, Astonishing, Mystic, and Suspense, later adding such war comics as Battle, Battle Action, Battlefield, Combat, and Men's Adventures.

Starting in 1953, Wessler contributed a large number of stories to EC's famed horror titles Tales from the Crypt, and The Vault of Horror—writing the entirety of Tales from the Crypt #45 (Jan. 1955), for instance, with the artists including such luminaries as Graham Ingels, Jack Davis, Jack Kamen, and Bernard Krigstein. He wrote as well for EC's Aces High, Crime SuspenStories, Impact, Piracy, Shock SuspenStories, and Weird Science-Fantasy.

Following the demise of EC, Wessler returned to Atlas in late 1955 as a freelance writer. There he scripted science fiction/fantasy stories for Mystic and, prolifically, World of Fantasy. Wessler next wrote for Harvey Comics, home of Casper the Friendly Ghost and other children's characters, remaining there through the early 1970s. As well, in the 1960s, his work appears in a range of titles including Charlton Comics' Billy the Kid, DC Comics' Tomahawk, and Warren Publishing's black-and-white horror-comics magazines Creepy, Eerie, and Vampirella.

At DC Comics, Wessler wrote numerous stories for the horror anthologies Ghosts, House of Mystery, The Unexpected, and The Witching Hour from 1967 to 1985. He also contributed additional stories to Eerie and returned to his old home at the former Atlas, now Marvel Comics, with work appearing in Giant-Size Chillers vol. 2, #1 (Feb. 1975), and in the black-and-white horror-comics magazine Tales of the Zombie #7 and 10 (Sept. 1974 and March 1975). His last recorded credit is the story "Hellfire by Night" in G.I. Combat #278 (July 1985). Wessler was living in Miami, Florida, at the time of his death in 1989.

This issue ends with  "Voice in the Night" by Murray Boltinoff and Rich Buckler. After a horrible car accident, a man is haunted by the voice of his wife.

Edited by Murray Boltioff.

Thursday, December 3, 2015

Batman #229

Batman #229 (On Sale: December 3, 1970), has a cover by Neal Adams and Dick Giordano. Not one of my favorites covers. It might be the inks or it might be the colors or it might be both.

We begin with Batman in "Asylum of the Futurians" by Robert Kanigher, Irv Novick, and Frank Giacoia. At night, on a dark road on the outskirts of Gotham City, Batman finds a young woman, who is desperately looking for help. She has been trying to find someone to save her husband, who has been abducted by a group of strange people. Batman agrees to help her and she takes him to an ancient house where he witnesses the strange behavior of the group of people holding the man hostage. Batman assumes that they are all mentally unstable, but when he breaks into the place to save the man, he learns that the gathering of people calls themselves "Futurians". They claim to be a cabal of ESPers who intend to rule the Earth and who believe that Batman may be a potential leader according to some prophecy.

Batman decides to play along and he is crowned as the new ruler of the Futurians, but the crown makes Batman lose his consciousness and when he recovers, he realizes that he has been locked inside a coffin and dumped into a lake, as part of the final test for the Futurians' leadership. As the Futurians have removed his Utility Belt, Batman uses the crown to open the coffin and escape. The Futurians are glad that Batman survived the test, proving his worthiness for the leadership, but Batman takes advantage of the situation and captures the entire gang including their leader, a young woman called Michelle, and debunks their society as phonies and megalomaniacs, who seek power through deception.

Finally, Batman returns to the couple he rescued and the man tells him that he had been mentally calling for Batman's help and the Dark Knight realizes that maybe that's the reason why he changed his nightly patrol routine, but he is not certain of that, nor of the truth behind the Futurians' claims. This story was reprinted in Showcase Presents: Batman Vol. 6 TPB (2016).

Our back-up story features Robin in "Temperature Boiling... and Rising" by Mike Friedrich, Irv Novick, and Frank Giacoia. Continuing from Batman #227, when a photograph surfaces showing congressional candidate Professor Stuart taking a payoff, his campaign is derailed. Dick Grayson realizes that the photo is fake. As Robin, he checks out the newspaper which published the photo to locate the source. It leads to Dick's friend Phil Real. 

When Robin checks on Phil, Bill Perkins, Phil's roommate attacks him. Perkins and another boy were the arsonists that burned Stuart's campaign office. They doctored Phil's photos to frame the professor. Robin exposes the fake, clearing Stuart just before the election. This story was reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB (2008).

Edited by Julius Schwartz.

Tuesday, December 1, 2015

Forever People #1

Forever People #1 (On Sale: December 1, 1970), has a cover by Jack Kirby and Frank Giacoia.

We start to get a hint of what Jack Kirby has in mind for DC with "In Search of a Dream" written and drawn by Jack Kirby and inked by Vince Colletta. Darkseid has kidnapped Beautiful Dreamer, a young woman from Supertown. Four of her friends, Mark Moonrider, Big Bear, Serifan, and Vykin the Black, use a boom tube to reach Earth to find her. When they arrive a young photographer takes their picture and a shot of the boom tube before it vanishes.

The photos reach Jimmy Olsen at the Daily Planet who shows them to Clark Kent. After hearing the story from Jimmy, Superman sets out to find the young men known as the Forever People. Inter-Gang is already watching the kids for Darkseid. When they see Superman they attack, but Superman defeats them.

The man of steel agrees to help the Forever People locate Beautiful Dreamer and Darkseid sends Gravi-Guards to combat Superman. The Forever People summon the Infinity Man who defeats the Gravi-Guards and Darkseid releases Beautiful Dreamer. Superman asks if he can visit Supertown. They reluctantly open a Boom Tube for Superman but tell him that he should stay on Earth and help them fight Darkseid. Superman is midway through his journey when he realizes he cannot leave mankind defenseless before Darkseid, and turns back to Earth, catching only a fleeting glimpse of New Genesis. This has been reprinted in Greatest Superman Stories Ever Told HC (1988), Greatest Superman Stories Ever Told TPB (1989), Jack Kirby's Forever People TPB (1999), Jack Kirby's Fourth World Omnibus Vol. 1 HC (2007), Countdown Special: New Gods #1 (2008), Jack Kirby's Fourth World Omnibus Vol. 1 TPB (2012) and DC Comics Presents: Darkseid War 100-Page Super Spectacular #1 (2016).

Edited by Jack Kirby.

Wednesday, November 25, 2015

Adventure Comics #401

Adventure Comics #401 (On Sale: November 25, 1970), has a Supergirl cover by Mike Sekowsky and Dick Giordano.

We begin with "The Frightened Supergirl" written and penciled by Mike Sekowsky and inked by Jack Abel. As Supergirl gives a public talk in Stanhope College, Nasty Luthor douses her drink with a "fear serum" concocted by her uncle Lex Luthor that causes Supergirl to rampage through Stanhope, terrified of anything.

Nasty manages to talk a terrified Supergirl into going to her house where she and Lex plan on keeping torturing her. Though Nasty's idea to scare Supergirl further with a toy car backfires when Supergirl brings the house down in her effort to escape.

Then Linda wakes up and discovers to her relief it has only been a dream. Thank god it was not an imaginary story...oh shit, nevermind. 

The back-up features Tracey Thompson in "The Strange House" written and penciled by Mike Sekowsky, with inks by Frank Giacoia. Tracey Thompson decides to investigate an abandoned haunted mansion to prove to her friend Betsy there are no such things as ghosts. As they explore the place, they run into two very real ghosts and several crooks. Tracey and Betsy manage to escape and call the police to get the crooks arrested, but Tracey still wonders who was that couple in the mansion's cellar. She realizes she doesn't need to know.

Edited by Mike Sekowsky.

Tuesday, November 10, 2015

House of Mystery #190

House of Mystery #190 (On Sale: November 10, 1970), has a cover by Neal Adams. Not my favorite Adams cover, but not my least liked either.

This issue omits the normal framing sequence and instead uses Sergio Aragones to flank the stories, beginning with a "Welcome to the House of Mystery" splash featuring Cain. 

Our first story is "Fright" by Robert Kanigher and Alex Toth. A man who wants to join a dueling fraternity accepts their challenge to spend the night in a haunted house but loses his mind when they reveal to him that he spent the night in the wrong house and all the supernatural experiences that he had were not tricks but real.

The buffer between stories is provided by "Room 13" and a "Cain's Gargoyles" by Sergio Aragones. Wedged in between them is a "Cain's Game Room" by John Albano.

We end with "A Witch Must Die!" by Jack Miller, Ric Estrada, and Frank Giacoia. Salem residents accuse a man's wife of being a witch and he saves her from being hanged, by using his horse to pull the bars from her cell window. The man, his wife, and little girl ride deep into the forest to build a new home but encounter an Indian medicine man who demands that they leave. When the husband refuses the Indian directs a large tree to fall toward them. The woman redirects the tree's fall and the husband realizes that his wife actually is a witch. The entire issue was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB (2006).

Edited by Joe Orlando. 

Thursday, October 29, 2015

Detective Comics #406

Detective Comics #406 (On Sale: October 29, 1970), has a Batman cover by Neal Adams.

We begin with Batman in "Your Servant of Death -- Dr. Darrk" by Denny O'Neil, Bob Brown and Frank Giacoia. When shipping magnate Count Orsoni is attacked and almost killed, Bruce Wayne decides to visit the man, who is an old friend. Upon arriving at the Count's castle in the foreign country he resides, Bruce is welcomed by Mara Thursday, the Count's cousin and Dr. Darrk, one of Orsoni's friends. However, Bruce is not allowed to see the Count, although he is invited to stay in the place.

Having previously stopped the League of Assassins from murdering another shipping magnate, Bruce decides to investigate the case as Batman and he starts prowling the castle, looking for the Count. He is distracted when Mara Thursday screams in her room and when Batman enters, she makes up a story about an attacker that left without harming her. Batman deduces that this was all a distraction and he rushes to the Count's chambers, but he finds nothing but an empty room.

Batman deduces that the Count was kidnapped recently and he starts looking in the castle, when he is suddenly attacked by another member of the League of Assassins. Batman manages to defeat the assassin and he proceeds to look on the hidden places of the castle. Batman finally reaches the cellar, where he finds the Count but falls for a trap and is forced to lay on top of an execution altar. Batman deduces the identity of the killer as Dr. Darrk and he reveals himself as the president of the League of Assassins and prepares Batman for his execution.

Batman is shackled to the altar and forced to hold a rope that keeps an axe from beheading him. Dr. Darrk leaves with the certainty that Batman's grip will surely fail and he forgets about the Count. As Batman in fact starts losing his strength, the Count recovers and, crawling aimlessly, he pushes the statue of a saint on top of the altar, which falls near Batman's head at the same time as he lets go of the rope. The axe falls on the statue, saving Batman's life and the shackles are broken by the impact.

Batman takes the Count to safety, but by the time he goes to the main rooms of the castle, he finds only the assassin he previously defeated and Mara Thursday. Darrk has left the place long ago and Batman arrests Mara and the assassin, who confess all they know about the League, which is not much. This story was reprinted in Showcase Presents: Batman Vol. 5 TPB (2012).

The backup story is Batgirl in "The Explosive Circle" by Frank Robbins, Gil Kane and Vince Colletta. When a residential building is blown up, the sole clue is a book taken out from Gotham Public Library. Finding the book is popular among young hippies/protesters, Barbara Gordon decides to investigate further as Batgirl. Tracing the address of the last person to take out the book in question, Batgirl finds that it belongs to a girl who is a member of the youth group Peaceful Protest. However, when Batgirl informs her the book was found at the site of a bombing, the girl freaks out and slams the door on Batgirl.

Tailing the young woman to a theater known as "Up Against the Wall Baby", Batgirl soon stumbles upon the groups leader Mal who has decided peaceful protesting no longer works and wants to begin using more violent methods. Finding Batgirl at their latest rally, she is knocked out during a performance and when she comes too, she finds that Mal has placed her in a room rigged to explode should she step out of the circle she is standing on. Obviously, continued next issue. This story was reprinted in Showcase Presents: Batgirl Vol. 1 TPB (2007) and Batgirl: The Bronze Age Omnibus Vol. 1 HC (2018).

Edited by Julius Schwartz.


Tuesday, September 29, 2015

Detective Comics #405

Detective Comics #405 (On Sale: September 29, 1970) has another moody Batman cover by Neal Adams.

We begin with Batman in "The First of the Assassins!" by Denny O'Neil, Bob Brown and Frank Giacoia. Answering the Bat-Signal, Batman is informed by Commissioner Gordon that a number of murders that have taken place in Europe and, according to information by the Interpol, the next target is a shipping magnate, K.C. Agonistes, whose boat is currently in Gotham Harbor. Since the man has refused police protection, Gordon is tied and can't do anything officially and hopes that Batman can act unofficially on his behalf.

That night, Batman infiltrates the ship, but is immediately detected by extra security measures incorporated into the ship. The magnate, his fiancée, and his employees greet Batman with pleasure and they welcome him to be part of their journey. After taking a closer look at other security measures on the ship, Batman starts patrolling the deck at night. When Batman notices a disturbance in the waters, he tells the crew to evacuate the ship in the lifeboats. Batman then being shooting at at a pod of dolphins, but he is unable to prevent the destruction of the ship as one of the animals carrying a plastic explosive gets past his onslaught..

Batman reaches the only lifeboat that made it free in time where he joins a sailor, Agonistes and his fiancée. They sail to a nearby island, which seems abandoned at first sight, but they swoon realize is littered with boobytraps. After saving the three people from lethal traps, Batman goes into the island to find the killer. Shortly after, Batman realizes that he has been lured away from his companions and he rushes back, but falls for a trap in the midst of the jungle. From the shadows comes a nimble man, the same responsible for trying to kill the magnate. The man tells Batman that he has a mission to accomplish and that after he's finished, he will come back to kill him as well.

Batman breaks free from the trap and he heads to the camping site where Agonistes and the others are waiting for his return. He arrives in time to prevent the assassin from killing them and a fight ensues. The assassin reveals that he is part of a larger faction known as the League of Assassins, which cannot be bribed or stopped. The killer gets the upper hand in the fight and he gets ready to eliminate Batman, when he is suddenly blinded by some flares that explode on Batman's cape, which was burning in the fire. Batman takes the chance to defeat the assassin, but he knows that he is just a pawn in a larger scheme, orchestrated by a master criminal mind. This story was reprinted in Showcase Presents: Batman Vol. 5 TPB.

Next is Batgirl in "The Living Statue" by Frank Robbins, Gil Kane and Frank Giacoia. Continuing from last issue, Batgirl has been investigating the murder of X-rated film director Billy Warlock, whom her friend, Jason Bard, has been framed for. Her search brought her to Warlock's studio where she was captured by one of Warlock's actresses Veda who masterminded the whole scheme and is now preparing to trap Batgirl in plaster.

As she slowly covers Batgirl in the plaster, she destroys the evidence that would clear Bard's name while boasting to Batgirl that she got away with murder. To added rich irony she screams this at a giant lit up face of Warlock that was set in the studio. As the fire from the burning evidence spreads, Veda prepares to apply the last of the plaster that will cover Batgirl's head when another of Warlock's actresses: Infra-Red charges in the room to stop Veda.

While the two girls fight, Batgirl gets free and eventually has to save them from the flames. After when the fire department shows up, Veda boasts how they'll never be able to prove that she murdered Billy Warlock, but then Infra-Red informs her that in the giant portrait of Billy's face was a camera that filmed her whole confession. With it turned over as evidence, --as Barbara Gordon -- Batgirl gets to witness Bard being cleared of all charges and set free. This story has been reprinted in Showcase Presents: Batgirl Vol. 1 TPB and Batgirl: The Bronze Age Omnibus Vol. 1 HC.

We end with a filler reprint, "The Sleuth in the Iron Mask" drawn by Bob Brown and reprinted from Gangbusters #62 (1958).

Edited by Julius Schwartz.

Adventure Comics #399

Adventure Comics #399
(On Sale: September 29, 1970) has a Supergirl cover by Mike Sekowsky and Dick Giordano.

We begin with Supergirl in "Johnny Dee -- Hero-Bum" written and penciled by Mike Sekowsky and inked by Frank Giacoia. 
Johnny Dee, star football player for Stanhope, is threatened by gamblers. If Johnny doesn't throw a game, they will hurt his girlfriend Roxie Thompson. Johnny reluctantly complies to protect Roxie.

When Johnny sits out the next game, Supergirl questions Johnny, but he refuses to admit why he isn't playing. Finally Supergirl and Roxie convince him to tell. However, Supergirl is unable to change his mind about playing.

At the next game, the crooks station sniper's around the stadium to target Roxie if Johnny plays. Supergirl rounds up the snipers, then saves Roxie. Johnny plays and wins the game for his team, while Supergirl apprehends the crooks. However, she is given a ticket for destroying property and blocking traffic to do it.

The back-up story is a unique one. Black Canary stars in  "Television Told the Tale" by Robert Kanigher, Carmine Infantino and Bernard Sachs. This story was written and drawn in the 1940s, but was never published until this issue. It may have been intended originally for Flash Comics #106. This story takes place before Larry Lance knew Black Canary's identity, before he married her and before he was subsequently murdered..  

Larry Lance is hired to guard Mrs. Landall and her diamonds while she displays her collection for a television program. Dinah Drake is watching the program and notices that the cameramen are not focusing on the jewels. She races to the scene as Black Canary.

She is too late to stop the cameramen from stealing the diamonds and arrives just in time to leap onto their getaway boat. Television cameras broadcasting a motor boat race catch all the action and keep the thieves from shooting her, allowing Black Canary to apprehend the crooks. Reprinted in Black Canary Archives Vol. 1 HC.

Edited by Mike Sekowsky.

Thursday, August 27, 2015

Detective Comics #404


Detective Comics #404 (On Sale: August 27, 1970) has a wonderfully colored cover of Batman and Enemy Ace by Neal Adams. This sucker just leaped off the newsstand. Such wonderful eye candy looks good in black and white but amazing in color.  I love the sense of depth and motion in this cover; the flaming bi-plane retreating from us in the background, the leaping Batman coming towards us in the middle-ground and the Enemy Ace sliding across the foreground firing up at Batman. Just great stuff from Neal Adams at his peak.

We begin with "The Ghost of the Killer Skies!" by Denny O'Neil, Neal Adams and Dick Giordano. It opens with the murder of a stunt pilot on the Spanish set of "The Hammer From Hell." As in the recent Brave and the Bold #92, Bruce Wayne is in Europe looking into the production of a film into which he has invested money.
Also like the Brave and Bold story, there is murder on the set and Bruce/Batman decides to investigate it, after learning that the shoot has been plagued with mishaps and sabotage and Anson, the director, asks if it is even worth finishing when another WWI film is being made at the same time? Bruce reaffirms his faith in his director. 

Bruce meets Heinrich Franz, technical advisor for the time and a dead ringer for Joe Kubert's Enemy Ace.  Heinrich tells Bruce that perhaps they are "not fated to complete zis film...Von Hammer was a great believer in fate...the destiny of the killer skies, he called it." It is back in his hotel room when Bruce is looking through information on the film that he realizes Franz is a dead ringer for Von Hammer.

That night, two men, under the guidance of a third try to blow up the remaining bi-planes only to be thwarted by the Batman. He captures one of the men but when he gets him to talk he says he does not know who their leader is, only that he is masked in goggles and scarf and pays them to "ruin the work of the American filmmakers."  Batman tells the man to turn himself and his companions into the police and then runs off thinking he knows who the mysterious leader really is.

Returning to the film companies living area Bruce sees a light on in the trailer of his suspect and inside confronts Gavin the cameraman removing his Von Hammer costume. Gavin confesses to sabotaging the film for the company making the other WWI movie, but says he had nothing to do with the pilots murder. Just then shots ring out and Batman hurries to discover Anson the director dying, saying he was shot by the ghost of Von Hammer.

Batman realizes that two people are sabotaging the movie for different reasons, and since he does not believe in ghosts he has a pretty good idea who the second saboteur must be. batman hears an engine being started out on the airstrip and runs there to see a pilotless Fokker triplane readied for takeoff. batman is met by a man calling himself the ghost of Hans Von Hammer, but Batman knows him as Heinrich Franz. 

Franz says he has been sabotaging the movie because it is "an insult to the memory of Germany's finest hero." Franz says he is going to kill Batman, who responds by asking if that is how Von Hammer would have done it, "Or would he have welcomed a fair fight?" Franz agrees and tells Batman to meet him in the killer skies. As Batman climbs into the cockpit he recalls how an old stunt pilot had once taught him how to fly these plane and hopes it all comes back to him or Franz will kill him and get away.

Franz tried to shoot at Batman with his Lugar and as he tries to avoid Franz's shots he maneuvers the plane with a skill far beyond his own, as if another were piloting the plane. batman's fuel line gets hit and he does the unexpected, jumping from his plane to Franz's. In the insuring fight Franz's scarf is caught by the plane's propeller and he is flung from the plane to his death.

As batman lands the plane he wonders if Franz was a descendant of Von Hammer or just a victim of the grimmest love of all, the love of war. The story ends with a proclamation that is has been a tribute to the Joe Kubert and Robert Kanigher.

This story has been reprinted in Limited Collectors' Edition C-25, Greatest Batman Stories Ever Told HC, Greatest Batman Stories Ever Told TPB, Batman Illustrated by Neal Adams Vol. 2 HC, Showcase Presents:Enemy Ace Vol. 1 TPB, Showcase Presents:Batman Vol. 5 TPB and Batman Illustrated by Neal Adams Vol. 2 TPB.

The backup Batgirl story is "Midnight Doom-Boy" by Frank Robbins, Gil Kane and Frank Giacoia. When a police surveillance film showing Jason Bard murdering X-rated film director Billy Warlock, the criminologist is arrested. Although the evidence shows that Bard killed Warlock, Barbara Gordon believes that Bard is innocent of the crime and begins launching her own investigation as Batgirl. 


Reviewing the film she sees that in the footage of Bard leaving the scene, "Bard" is putting weight on his bad leg. Realizing the footage has been doctored with, she goes to Warlock's studio (Where the reels where originally taken) to find that the footage shows Veda, the woman who Bard claimed drugged and framed him for the murder was on the scene. But before Batgirl can do anything she is attacked by Veda herself, and during the combat a studio light is broken and the fumes inside knock Batgirl out. When some comes too she finds herself bound to a chair and Veda preparing a plaster mix to pour on Batgirl... This story is continued next issue. 

Reprinted In Showcase Presents:Batgirl Vol. 1 TPB.

Edited by Julie Schwartz.

Thursday, August 13, 2015

Girls' Love Stories #154

Girls' Love Stories #154 (On Sale: August 13, 1970) has a cover by, well, we are not quite sure. Sequential Crush seems to think this is Bill Draut, but I don't think so. I'm thinking more like Ric Estrada.

Our cover story, "Too Spoiled for Love" is drawn by Ric Estrada and Jack Abel. Lila is a part of the local rich crowd, a spoiled girl just out for fun, breaking the heart of any guy who gets serious for her. Then one night her car breaks down on the way to a club and Brett stops to assist her. She invites him to join her in the club and very soon Lila realizes that she is seriously smitten with Brett. 

Plans for a "real" date are thrown up in the air when Lila's father informs her that he has invited his new assistant to dinner. She calls Brett and lets him know their date will have to be postponed, but later, when she heads downs to meet the assistant, she finds it is Brett.

Lila plays along as her father tries to hook the two kids up, but when Brett and Lila get some private time she is furious, figuring he only stopped to help her to get ahead with her father.She chases him out of the house and out of her life, but when she tries to resume her playgirl lifestyle, she finds that all she has on her mind is Brett.

She decides that one way to get over him is to overdoes on Brett, so she asks her father if she can work on the assembly line which Brett manages. Her tedious job is to keep track of the pressure gauges on some chemical tanks, but she is distracted by Brett's presence and one of the tanks explodes. Horrified by what her negligence has caused, she leaves. Later her father tells her that Brett admitted to forgetting to inspect the gauges and so he fired him.

Realizing that Brett only took the blame for her mistake out of love for her, Lila rushes to Brett and, of course, they live happily ever after.

Next is an eight-pager, "Country Girl," drawn by Artie Saaf and Frank Giacoia. 

That is followed by  "Advice to the Lovelorn," a three-page story drawn by George Tuska and Vinnie Colletta.

We end with "Awakened Heart," a seven-page reprint from Secret Hearts #38. This story is drawn by Arthur Peddy and Bernard Sachs and has been touched up to modernize the clothes and hairstyles. 

Edited by Joe Orlando.

Tuesday, August 11, 2015

From Beyond the Unknown #7


From Beyond the Unknown #7  (On Sale: August 11, 1970) has a so-so cover by Joe Kubert. DC was not going to give up on reprinting old science-fiction stories. Kind of like Marvel and their old monster books.

This issue actually starts out with a new story, "Earth Shall Not Die." 
This 12-pager is by Denny. O'Neil and Murphy Anderson. Commander Glenn Merritt believes that aliens are attacking the space program and convinces Congress to set up a base on the moon for him to investigate his theories.

The reprints begin now with  "The Menace of Saturn's Rings," a seven-page reprint from Strange Adventures #96 by Gardner Fox, Carmine Infantino and Joe Giella. Natives of Saturn send Saturn's rings to attack Earth.

That is followed by "Next Year -- Andromeda." This ten-page tale by Gardner Fox and Sid Greene is reprinted from Mystery in Space #85. Ensign Jay Drake finds a creature that can warp space to escape predators. He plans to capture it so scientists can study the creature and make more efficient space drives.

Next is "Do Not Open Till Doomsday," a six-page tale by Sid Gerson, Carmine Infantino and Bernard Sachs from the pages of Strange Adventures #36. When magic globes begin to fall to Earth that grant the wishes of any Earthman who uses them, Dr. George Lynch suspects an ulterior motive.

Then we have "World at the Edge of the Universe." This six-pager by Otto Binder and Sy Barry is reprinted from Strange Adventures #60, Ted Carter is the student chosen to represent Earth in a tour of the galaxy for prized students. At first, Ted is useless because he has no training of other worlds, but eventually a problem arises that the other students can't solve but Ted can.

That is followed by "The Twice-Told Tale" by Jack Miller, Gil Kane and Joe Giella and is reprinted from Strange Adventures #27. How could George Mitchell write a novel that turned out to be a word-for-word copy of a book he had never seen that was written more than 100 years in the past?

We end with our cover-story, "The Giant from Beyond," a nine-page story by Gardner Fox, Mike Sekowsky and Frank Giacoia. When a giant beanstalk appears on Earth and a giant Alien being begins crawling down the beanstalk, Captain Craig Johnson volunteers to stop him. This one was reprinted from Strange Adventures #101.

Edited by Julius Schwartz.

Tuesday, August 4, 2015

House of Secrets #88

House of Secrets #88 (On Sale: August 4, 1970) has a spectacular cover by Neal Adams in wash. DC was about to make a move into the Gothic Romance books and this beautiful cover is almost a test drive of that concept.

The insides are not nearly as pretty as the outsides, but we begin with "The Morning Ghost" by Marv Wolfman, Dick Dillin and Frank Giacoia. In this 11-page tale a man meets a woman on the run from the ghosts of her dead family who want her to join them. He tries to convince her there are no ghosts by bringing her back to the house where they died in a fire, but she reveals to him that there were no survivors and she too is a ghost. He admits to her that he is one too and asks her to join him instead of her evil family.

Neal Adams' original painting for this issue's cover.
That is followed by "Eyesore!" by Gerry Conway and Bill Draut. A blind store owner begins to suspect an acquaintance of wanting to kill him and take over the business, so when the man tells him that he's got something for him in the closet, the blind man sneaks up behind him and kills him by striking him with his cane. The blind man hears sounds like something moving and thinks perhaps the man isn't dead and is coming for revenge. He tries to hide upstairs but he still hears the padding and tapping coming closer and becomes so terrified that his heart gives out. The police are puzzled to find the dead man downstairs and the blind man dead upstairs with a seeing eye dog sitting by the body with the blind man's cane in its mouth. Reminds me of the lines from that Buffalo Springfield song, "Paranoia strikes deep. Into you life it will creep."

The entire book was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

Edited by Dick Giordano.