Wednesday, June 1, 2016

House of Secrets #93

House of Secrets #93 (On Sale: June 1, 1971), has a nice cover by Bernie Wrightson.

We begin this issue with "Lonely in Death" by Steve Skeates and Jim Aparo. At first circumstances in an old house lead a young woman to believe her recently deceased mother is attempting to kill her in order to have company in the afterlife, but then the resentful brother is revealed as the cause of the near-fatal mishaps. He attempts to stab his sister with a spear but falls out a window to his death when startled by something the woman takes to be her mother's ghost protecting her, not attempting to kill her as she mistakenly previously believed.

Next up is our first reprint, "The Curse of the Cat's Cradle" drawn by Alex Toth and reprinted from My Greatest Adventure #85 (1964).

That is followed by "Nightmare" by Gerry Conway and Jack Abel. A man being paid to sabotage a construction project has a nightmare about falling into a dark area and then being seized by a giant hand. After he wakes up and heads to the construction site he finds that his nightmare was a premonition.

Next, we have our second reprint, "The Beast from the Box" drawn by Nick Cardy and reprinted from House of Secrets #24 (1959). Charles Sanders releases and eventually kills a thing from a box.

We end this issue with "Never Kill a Witch's Son" by John Albano and Tony DeZuniga. A niece and her husband plot to kill her uncle for insurance money, but since the uncle's mother fancies herself a witch, the husband hatches a scheme to drive his wife to suicide so that he can get all the money. He fakes the uncle's appearances after they push him to his death off the balcony claiming that he had a fainting spell, but does too good a job and while his wife has been sedated, she sees her husband at the balcony and mistakes him for her uncle and shoves him to his death. All this time, the uncle's mother has been tending her son's grave, believing herself to be responsible through black magic for what happens to the niece and her husband.

Edited by Joe Orlando.

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