Friday, July 9, 2010

Young Love #82

Young Love #82 (On Sale: July 9, 1970) has a cover inked by Dick Giordano.

We begin with a table of contents page entitled, "You're Young and You're In Love" drawn by Gray Morrow. The first story is "He's the One I Want" drawn in a completely forgettable manner by Winslow Mortimer and Vinny Colletta.

That is followed by "Happy Ending" with art by Jay Scott Pike and Vinny Colletta. Art-wise, this story is miles ahead of the previous one, as Pike does some nice pencils that Vinny was unable to completely destroy

We end with "Please, Please... Make Him Forget Her" drawn by the great Gray Morrow. this is the class act of the book and should have been highlighted rather than forced to sit in the back of the book. Gray Morrow, sexy women, what more do you possibly need?

Edited by Dick Giordano.

Our Fighting Forces #127

Our Fighting Forces #127 (On Sale: July 9, 1970) has a Losers cover by Joe Kubert.

We begin with the Losers in "Angels Over Hell's Corner" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up story is the U.S.S. Stevens in "Dragonfly" written and drawn by Sam Glanzman.

Edited by Joe Kubert.

House of Mystery #188

House of Mystery #188 (On Sale: July 9, 1970) has a cover by Neal Adams.

This issue introduced American comic fans to the amazing pencil and ink artwork of Tony DeZuniga in its first story, "Dark City of Doom" written by Gerry Conway.

Next is a Cain's Gargoyles one-pager written and drawn by Sergio Aragones, a Page 13 one-pager by Joe Orlando and Sergio Aragones and a Cain's Game Room one-pager by John Albano. In a few years John Albano and Tony DeZuniga would team up to create western anti-hero Jonah Hex.

This issue ends with "House of Madness" drawn by Bernie Wrightson.

The entire issue was reprinted in Showcase Presents: The House of Mystery Vol. 1 TPB.

Edited by Joe Orlando.

Binky's Buddies #11

Binky's Buddies #11 (On Sale: July 9, 1970) has a cover by Henry Scarpelli.

We begin with Binky in "The Unbelievers" by Henry Boltinoff, Winslow Mortimer and Henry Scarpelli. This one was reprinted in Best of DC #70. Next is Binky in "Tennis the Menace" which was reprinted in Best of DC #28. We end with Binky's Buddies in "The Fashion Show."

Edited by Joe Orlando.

Wednesday, July 7, 2010

Wonder Woman #190

Wonder Woman #190 (On Sale: July 7, 1970) has a cover Mike Sekowsky and Dick Giordano.

Mike Sekowsky wrote and drew and Dick Giordano inked "Detour" our book-length Wonder Woman story. Back from China and a little bit down, I-Ching suggests that Diana visit her mother on Paradise Island, but when Amazon messenger Leda attempts to bring Diana through the dimensional stream they take and unexpected detour and end up int he dark fending off unseen creatures. When a green moon appears the creatures scamper and Diana and Leda find themselves in an alien landscape.

When finally the sun rises a strange flying ship appears and armed men attempt to capture Diana and Leda. Diana holds them at bay while Leda escapes through the dimensions to Paradise Island to bring reinforcements. Eventually the men overpower Diana and she and a barbarian man are taken to the city of Calendar where they are brought before the queen.

They learn that they were captured to fight in the arena for sport, but the queen dismisses Diana as "just a girl." Diana says she sees no reason to wait for the arena to fight and using her shackles as a weapon sets upon her captors, the barbarian man at her side. Diana makes it to the queen but is overpowered and knocked unconscious.

She awakes in a cell with Rancor the barbarian and they manage to escape. They are chased through the castle but end up in the arena, realizing they were allowed to escape and were pointed toward their death. In the arena they face a giant monster called a gnarth, but Diana has a plan for killing it. The plan works and then they leap out of the arena and once again are upon the queen and her men. As reinforcements arrive they are chased once again through the castle and up to the top of a tower. From there they see an army amassed at the gates of Calendar.

Rancor says it is the army of his father, King Zangor and that he was captured when he was scouting ahead of the army. They are there to end the rule of the evil queen. As the queen's men approach, Diana and Rancor leap from the tower into the moat. This one is continued.

Reprinted in Diana Prince:Wonder Woman Vol. 3 TPB.

Edited by Mike Sekowsky.

Superboy #168

Superboy #168 (On Sale: July 7, 1970) has another of my favorite Neal Adams' covers. Just beautiful.

We begin with "Leave Us... or We Perish" by Frank Robbins, Bob Brown and Murphy Anderson.

The back-up Superboy story must have been in inventory for a few years. "The Negative Boy of Steel" is by Arnold Drake who was fired in 1968, Al Plastino who was also fired in 1968 and Mike Esposito. Except for a Superman's Wedding Album pin-up in 1996, this is Al Plastino's last work for DC.

Al Plastino's earliest comic work was as an assitant to Bill Everett working on Sub-Mariner for Timely Comics and his first credited work was the cover of Novelty Press' Blue Bolt Comics #9 in 1943.

In 1948 Plastino showed samples of his work to editors at DC and began a 20-year stint on the Superman family of books. At first he was required to mimic Wayne Boring's style but as time went on he was allowed to draw like Al Plastino. The worked on Superman, Superboy, and Lois Lane. With Otto Binder he co-created Supergirl and The Legion of Super-Heroes.

Plastino also drew the Superman newspaper strip in the late 60s and the Batman strip from 1966-1972. When DC ousted him from their books in 1968 Al Plastino also took over the Ferd'nand newspaper strip which he drew until he retired in 1989. In 1983 he drew the Sunday episodes of Nancy after Ernie Bushmiller died and he also drew a year's worth of Peanuts strips in the early 1980s to be used if Charles Schulz became ill. I don't think those will ever see the light of day, but it does make for an interesting trivia question, "Who besides Charles Schulz drew an entire year's worth of Peanuts strips?"

Edited by Murray Boltinoff.

Super DC Giant S-14

Super DC Giant S-14 (On Sale: July 7, 1970) has a cover by Joe Kubert and features "Top Guns of the West."

We begin the reprint-fest with Johnny Thunder in "Target -- Johnny Thunder" by Robert Kanigher and Gil Kane and reprinted from All-Star Western #107.

Next is Nighthawk in "Black Sar Gang" by Gardner Fox and Ruben Moreira and reprinted from Western Comics #43.

That is followed by Matt Savage Trail Boss in "The Gun-Trap on Signal Hill" by Gardner Fox, Gil Kane and Joe Giella and reprinted from Western Comics #84.

Next we have the Wyoming Kid in "The Million Dollar Coin" by Gardner Fox and Bruno Premiani and reprinted from World's Finest Comics #62.

We have another Johnny Thunder tale, "Trap of the Sheriff's Hat" by Bob Haney and Gil Kane and reprinted from All-Star Western #99.

We end with the Trigger Twins in "The Surprise Sheriff of Rocky City" by Robert Kanigher and Carmine Infantino and reprinted from All-Star Western #104.

Edited by Dick Giordano.

Secret Hearts #146

Secret Hearts #146 (On Sale: July 7, 1970) has a cover inked by Dick Giordano.

This issue has two longer than normal stories. We begin with "A Kiss to Light the Darkness" inked by Vinny Colletta and we end with our cover-story, "Wasting My Love on You." Not much else to say about this one.

Edited by Dick Giordano.

Friday, July 2, 2010

Tomahawk #130

Tomahawk #130 (On Sale: July 2, 1970) has a cover by Neal Adams.

Well, the great run on Neal Adams' covers and the superior artwork by Frank Thorne could not quite save Tomahawk. This is the last issue to go by that name, at least on the cover, as next issue is known as Hawk, Son of Tomahawk as Joe Kubert takes over the editorial reigns from Murray Boltinoff. We begin this last true Tomahawk issue with "Deathwatch at Desolation Valley" by Robert Kanigher and Frank Thorne.

The back-up Tomahawk story is "A Bullet for My Brother" by George Kashdan and Frank Thorne.

Edited by Murray Boltinoff.

Superman's Girl Friend Lois Lane #104

Superman's Girl Friend Lois Lane #104 (On Sale: July 2, 1970) has a cover by Curt Swan and Murphy Anderson featuring Lois Lane's Greatest Scoops.

We begin with "The Super-Prisoner of Amazon Island" by Otto Binder, Wayne Boring and Stan Kaye and reprinted from Action Comics #235. Lois and other members of her Super Sorority are shipwrecked on a small island. Superman comes to rescue them, but he has violated the laws of the native Amazons living there. He is declared a slave and his services are bid upon.

The queen, Elsha, wishes to make Superman her husband. When she loses in the auction, she abolishes the law and creates a new one. Superman must now perform a task for each woman, if he cannot he must marry them.

Superman agrees to the procedure in hopes of finding a cure for Kryptonite which he believes is on the island. Each woman takes her turn, but Superman completes each task. The final task is the queen’s. He destroys her crown to make her a commoner which was what she asked him to do. The Man of Steel is set free, but he realizes too late that the crown was the cure he sought. He and the sorority return home, leaving the Amazons behind.

Next is "The Monkey's Paw" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #42. Lois receives a box of strange curios from a recently deceased explorer. Inside is a monkey’s paw which legend claims will grant three wishes. Lois imagines possible wishes for herself, but she uses one to save an airplane and another to save Superman from Kryptonite. When she tells Lucy Lane and Jimmy Olsen about her wishes, they reveal that the wishes were not responsible for the rescues. Lois uses her final wish to give Clark Kent super powers. He fakes an illness, so Lois believes the wishes didn’t work. As a result, she throws the monkey’s paw away.

That is followed by "The Town of Supermen" by Edmond Hamilton, Curt Swan and George Klein and reprinted from Superman #153. Eight prisoners of the Phantom Zone escape and move to a ghost town, Drywood Gulch. They bring Lois to town and tell her that they are Kryptonian astronauts. Later, Lois returns with Jimmy and Perry to show them the town of Supermen, but the men pretend to be normal men. Finally, Lois convinces Jimmy of the truth and he summons Superman. The Man of Steel out duels the criminals and returns them to the Phantom Zone.

Next is "Lois Lane's Great Houdini Trick" by Otto Binder and Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #58. Lois receives a request to expose a phony spirit medium. When she visits the swamis parlor, she discovers that the medium is Voodoo Vickers, a notorious gangster wanted for murder. Lois attends a séance in disguise and uses the swami's own tricks to force Vickers into revealing the location of the murder victim. Superman then apprehends the swami.

That brings us to "The Reversed Super-Powers" by Jerry Siegel and Kurt Schaffenberger and reprinted from Action Comics #274. During an experiment to find an antidote for Kryptonite, Superman’s powers are transferred to Lois Lane. Without powers, Superman proposes to Lois, but she decides to think about it first. When she discovers that she has gained powers, she decides not to marry Superman for fear that her enemies would harm him. Superman then passes out. Another Superman arrives through the window and explains that it was only a Superman robot. The robot wanted to see if Lois loved Superman only because of his powers. The real Superman apologizes for his robot’s interference and returns it to the Fortress. Lois’s powers wear off restoring her to normal.

We end with "The Girl Who Destroyed Atlantis" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #42. While touring Atlantis with Lori Lemaris, Lois Lane is transported into the past by a time-travel belt. She arrives in ancient Atlantis and soon meets Roh-Tul, a dictator who resembles Luthor. Roh-Tul convinces Lois that he is benevolent and that his for Klar-Kan is evil. However, Lois soon learns that Roh-Tul is the tyrant and spurns his affections. Roh-Tul then detonates a bomb. Lois is sent back to the present believing she was responsible for the sinking of Atlantis. Lori explains that the bomb was not the cause of Atlantis’ demise, but another later explosion caused the city to sink

Edited by E. Nelson Bridwell.

Super DC Giant S-13

Super DC Giant S-13 (On Sale: July 2, 1970) has a Binky cover by Henry Scarpelli.

We have a flurry of uncredited Binky tales in this one. They are: "A Person Could Starve," (It's a good thing you can work...) , (Thanks for taking my books...), Benny in (Hello, Amy! This is Benny...), Binky in (Oh, Binky, would you do me a favor...), Buzzy in "A Good Listener," and then Binky in (I like these scales...) and (I've got to go now, Binky...) .

Edited by Joe Orlando.

Our Army at War #223

Our Army at War #223 (On Sale: July 2, 1970) has a Sgt. Rock cover by Joe Kubert.

In "On Time" Russ Heath illustrates an 11-page Sgt Rock story written by Joe Kubert. In it Sgt. Rock and Easy Company capture a small town in France which was occupied by the Nazis. They find a warehouse full of food provisions stored by the enemy. When the Germans return, Rock and his men defend the warehouse. The fact that the enemy wants the warehouse intact serves to protect Easy Company from assault.

A new recruit named Turtle joins Easy Company in the midst of battle. He informs Rock that reinforcements will arrive soon, but the sergeant doesn't count on them making it in time. During one enemy attack, Turtle disables an German tank. The crew is taken prisoner. The captured soldiers then inform Sgt. Rock that a hidden weapons cache is under the warehouse. Rock and Easy Company then use the weapons to turn back the enemy attack and defend themselves until the reinforcements arrive.

Next is "Pvt. Buck's Army" and we end with a U.S.S. Stevens tale, "The Kunko Warrior" by Sam Glanzman

Edited by Joe Kubert.

Aquaman #53

Aquaman #53 (On Sale: July 2, 1970) has another classic cover by Nick Cardy. Good lord they don't get much better than this!

It is 1970 and there is a rumor going around that California is going to have a major earthquake and sink into the Pacific. Kinda hard to believe these days, but this rumor got so much traction that then governor, Ronald Reagan found some flimsy excuse to be out of the state the day it was supposed to happen. Just a funny last minute schedule change his people said, but we all knew. "Is California Sinking?" by the SAG team (Steve Skeates, Jim Aparo and Dick Giordano) taps beautifully into this 1970 paranoia as only Steve Skeates could.


It opens on a mundane scene of a secretary typing away in an office, obvious until the last moment to what is happening around her. From that startling scene we flip the page to one of Jim Aparo's great splash (no pun intended) pages, showing the power of his triple-threat penciling, inking and lettering. IS CALIFORNIA SINKING?


Well, is it? Californian millionaire Elliot Harlanson (gotta love that name!) has just been told that it will and what that means to him is his beautiful home will sink with it. And Elliot is having none of that. But he is being told that he can save his home, and California in the bargain, if he just buys an atomic bomb and blows up Atlantis. Because, you see, it is the rising of Atlantis that will cause the sinking of California and if Atlantis does not rise, well then, California does not sink! Or at least that is the story being peddled by Elliot's visitor, a mysterious "scientist" who we shortly learn is actually an agent of O.G.R.E. (Organization for General Revenge and Enslavement), who can't afford to buy an a-bomb of their own. They plan on seeing that Aquaman is in Atlantis when Elliot's bomb goes off.

It is now two weeks later and on the east coast Elliot and is his ever-present girl-friend meet the "scientists" from O.G.R.E. on a dock, where Elliot's submarine, atomic bomb inside, await. We find out that O.G.R.E. has enlisted the help of Black Manta to keep Aquaman by Atlantis and preoccupied. They have given Manta a gun that scrambles brain waves and Manta uses it to thwart an attack of sea creatures on him orchestrated by Aquaman. As Aquaman leaves Atlantis to confront Manta, the sub leaves the Florida coast heading for Atlantis.

When Manta uses the gun on Aquaman, the Sea King is able to counteract the gun's affects by concentrating on getting Manta. While Aquaman takes care of Black Manta, Aqualad and some Atlantian police take care of Manta's men. When Manta mumbles something about "They said I'd have nothing to worry about," Aquaman wants to know who "they" are and sort of, well, beats the information out of Manta. When Manta confesses that he got the gun from O.G.R.E., Aquaman knows something bigger than Manta and a gun is going on and he begins scouring the area around Atlantis looking for danger.

Meanwhile on the shore the O.G.R.E. "scientists" have a run in with the feds. who take them down only to be told that they are too late to save Atlantis or Aquaman.

Back at Atlantis, Aquaman sees the sub coming in close and sends a giant squid to capture it. Caught in the squid's grasp, Elliot freaks out, "You act like you don't care what happens to my beautiful, spacious home!" and accidentally whacks a lever. The lever that releases the bomb! Learning what he has done a distraught Elliot proclaims, "I'm too rich to die! Do something!" But there is nothing they can do while caught in the squid's grasp.

Aquaman sees the bomb however and races toward it at speeds only the King of the Sea could muster. Alas, he is still to slow and the bomb hit the sea floor!

And bounces harmlessly away. It is a dud! Inside the sub, Elliot is furious! "Wait till I get my hands on the rat who sold me that bomb!" His girl-friend tells him to, "Just cool it!"

In the epilogue a few days later the feds tell Aquaman the O.G.R.E. are being taken care of by them and not to worry. They also tell him that they have let Harlanson go, as he was duped; he actually thought he was saving California from destruction and had no idea that Atlantis was populated. When Aquaman talks about the act a fate that resulted in a dud atomic bomb the feds reveal that they actually took care of that, or rather their agent on the inside did. That is when Elliot's girl-friend, in reality Agent 03, Honey James, shows up.

Aquaman says that he let Manta go, as the revelation that Manta was being duped by O.G.R.E. was more than enough punishment. After they leave the feds and head back for Atlantis, Aqualad wonders what will happen to Atlantis's people should it rise from the ocean depths. Aquaman says not to worry as that would not happen till well past the year 2000, so they have plenty of time to figure it out.

"And so our story ends. Yet, once question remains unanswered..." Shots of the secretary going under water... "Is California Sinking?" Shamefully, shamefully never reprinted.

Edited by Dick Giordano.

Wednesday, June 30, 2010

Detective Comics #402

Detective Comics #402 (On Sale: June 30, 1970) has a great cover by Neal Adams.

The Man-Bat returns in "Man or Bat?" by Frank Robbins, Neal Adams and Dick Giordano. The story opens with some thugs pulling a heist at a biochemical lab. what they don't know is that hanging in the rafters above them lurks the tormented Kirk Langstrom, now even more bat than the last time we saw him in the classic Detective #400. He waits in an agitated state for them to crack the safe below so that he can get what he so desperately needs. But just when it seems the hour of his saving is at hand Batman appears to break up the heist. When the Man-Bat appears to join him in thwarting the crime, Batman calls him a friend, but when Man-Bat reveals that he needs something from the safe, something he has brought money to pay for, Batman tries to stop him.

When Batman tries to unmask Kirk he realizes that he is not wearing a mask, but is truly a transformed human. Still he tries to stop the Man-Bat, but is knocked unconscious in the scuffle and Kirk departs with the drug he came looking for.

When he awakens, Batman heads off for the museum when he first met the Man-Bat hoping there to find a clue to his identity. When he gets there he finds Francine Lee, Kirk's fiancée trying to gain entrance. Kirk was supposed to be at an exhibit in Chicago, but he never arrived there and Francine is worried that something may be wrong. Upstairs Kirk has concocted a formula he hopes will reverse his bizarre transformation, but when he is startled by Batman and Francine at his door he drops the serum and flees out the window.

Batman tells Francine that the strange creature who has just fled is her fiancée, Kirk Langstrom, and that when they barged in Batman saw him mouth her name. batman thinks he can recreate the dropped serum in the Batcave and heads off to find Kirk and hopefully a cure for this transformation.

He finds Kirk up on a cliff and when he comes for him Kirk leaps from the cliff in fear, but rather than dying in the fall, huge batwings appear from under his coat and his transformation complete he flies off into the night following the flight of a "brother" bat. He follows the bat to his home, which happens to be, the Batcave. Kirk reaches the inner recesses of the cave just as Batman returns. He is momentarily blinded by the lights as they come one but uses his bat sonar to find an exit. Only, Langstrom's exit is the Batmobile;s entrance and Batman leaps from the car to divert Kirk from hitting it head-on.

He latches on to the Man-Bat, telling him that he is there to help him, to create an antidote, but Kirk takes Batman on a ride to the heights of the Batcave only to drop him from there. Some light fixtures break his fall, but from the floor he sees Langstrom about to fly out the open Batcave entrance. Clicking a remote on his belt Batman closes the door and Kirk is knocked unconscious by the door. Batman then ponders what to do, should he attempt to cure Langstrom, even though his brain may have been permanently damaged by his transformation, or should he leave him alone in his cursed condition? "Merciful heaven--What an impossible decision to make! There can be only one answer...if he must die...let it be as the man he once was!"

Batman gets to work in a tale continued in Detective #407. "Man or Bat?" was reprinted in Batman from the 30s to the 70s HC, Man-Bat #1 and Batman Illustrated by Neal Adams Vol. 2 HC.

The back-up story is Robin in "My Place in the Sun" by Mike Friedrich, Gil Kane and Vince Colletta. The story begins with Robin flying in on the Arrow Jet with Speedy all the way from Teen Titans #28. Dick shows Roy (Speedy) Harper around Hudson University. In the cafeteria a fight breaks out between some "punks" and a group called Project 70 who work with kids from a nearby juvenile detention farm. Dick changes into Robin to stop the fight. Robin goes after the big punk only to find out that it was the little kid Robin was trying to protect who started the fight.

Back in his room Dick is pissed at himself for jumping to conclusions without any evidence. That day Dick hears it all over campus, as Robin becomes the main topic of discussion. Some of the kids are for him, but many think he is just a vigilante and shouldn't be there. When he returns from shopping he finds Roy in his Speedy threads, heading off for a date with Wonder Girl.

After Roy leaves, Dick begins to question his role as Robin, but in the end he decides to keep the name and the costume. "...if I made a mistake once, I'm not gonna make it again! When I go out into that adult world, I want everyone to know that Robin is no longer a boy, but still a wonder!" Not a great story and certainly not great artwork.

Edited by Julius Schwartz.

Adventure Comics #396

Adventure Comics #396 (On Sale: June 30, 1970) has a Supergirl cover by Curt Swan and Murphy Anderson.

We begin with "I am a Witch" by Robert Kanigher and Kurt Schaffenberger.

We end with our cover-story "The Mystery of the Super-Orphan" by Leo Dorfman, Winslow Mortimer and Jack Abel.

Edited by Mort Weisinger.

Action Comics #391

Action Comics #391 (On Sale: June 30, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story, the imaginary tale "The Punishment of Superman's Son" by Robert Kanigher, Ross Andru and Mike Esposito.

The back-up is the Legion of Super-Heroes in "The Ordeal of Element Lad" by E. Nelson Bridwell, Winslow Mortimer and Jack Abel. This story was reprinted in Legion of Super-Heroes Archives Vol. 9 HC.

Edited by Mort Weisinger.

Friday, June 25, 2010

Superman's Girl Friend Lois Lane #103

Superman's Girl Friend Lois Lane #103 (On Sale: June 25, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story "The Devil's Bride" by Robert Kanigher, Irv Novick and Mike Esposito. The back-up story is "The Fantastic Wigs of Mr. Dupre" drawn by Kurt Schaffenberger and reprinted from Superman's Girl Friend Lois Lane #35. Lois Lane attends a performance of Booth Barry, an old actor. Barry invites Lois backstage and relates a story about magical wigs that cause a person wearing them to die in the same manor as the model for the wigs did. Barry then is accidentally shot with a pistol in a manor similar to Alexander Hamilton, whose wig he was wearing.

Lois investigates the story and is led to the shop of Anton Dupre. Lois tests two wigs herself and is nearly killed. The third attempt nearly succeeds as Lois wears a Supergirl wig, however the real Supergirl has replaced Lois. Together they expose Dupre’s plot to eliminate Lois from discovering his underworld activities. The dangerous wigs were merely a hoax, and Dupre turns out to be Booth Barry in disguise.

Edited by Mort Weisinger.

Heart Throbs #127

Heart Throbs #127 (On Sale: June 25, 1970) has a cover penciled by Jay Scott Pike and inked by Vinny Colletta.

We begin with "Choose Between Us" and move on to our cover-story "Heartbreak for Two" penciled by Jay Scott Pike. We end with "Am I Too Young for Love?" inked by Bernard Sachs.

Edited by Joe Orlando.

Girls' Love Stories #153

Girls' Love Stories #153 (On Sale: June 25, 1970) has a cover inked by Dick Giordano.

We begin with "For Love or Money," which according to Wikipedia, contains the first American comic work of Tony DeZuniga. In this case it is Tony's inking that is introduced over the pencils of Ric Estrada. We move on to "The Engagement Ring" pencilled by Don Heck. Next is "The Cheat" inked by Vinny Colletta and we end with "The 3 Faces of Love."

Edited by Joe Orlando.

Wednesday, June 23, 2010

Brave and the Bold #91

Brave and the Bold #91 (On Sale: June 23, 1970) has a cover by Nick Cardy.

"A Cold Corpse for the Collector" featuring Batman and the Black Canary is by Bob Haney and Nick Cardy and I remember this being some really great artwork. I wish I could remember the story and I know I have this around here somewhere, but everything got rearranged when I moved my new table into my studio. Damn! I'll find it soon and put a real entry in here. This was reprinted in Showcase Presents: The Brave and the Bold Batman Team-Ups Vol. 2 TPB.

Edited by Murray Boltinoff.

From Beyond the Unknown #6

From Beyond the Unknown #6 (On Sale: June 23, 1970) has a cover by Neal Adams.

We begin with our cover-story "The Amazing Human Race" by John Broome, Sid Greene and Bernard Sachs and reprinted from Strange Adventures #85. Next is "The Runaway Space-Train" by Gardner Fox, Gil Kane and Bernard Sachs and reprinted from Mystery In Space #50. We end with "The Magic Lamp from Space" by Gardner Fox and Murphy Anderson and reprinted from Mystery In Space #62.

Edited by Julius Schwartz.

Wednesday, June 2, 2010

House of Secrets #87 (On Sale: June 2, 1970) has a nice, creepy cover by Neal Adams.

We begin with "Death Has Marble Lips," an eight-page tale by Robert Kanigher, Dick Dillin and Dick Giordano.  A sculptor offers to barter his soul to Satan if his latest beautiful creation can take the form of a living woman, and it happens, but she doesn't know that her kiss is cursed and it turns the artist to stone.

Next is "The Man," a seven pager by Marv Wolfman, Ross Andru and Mike Esposito.  A woman falls in love with a man who turns out to be a robot.

We end with "The Coming of Ghaglan," a six-page story by Raymond Marais and Michael William Kaluta. A tomb explorer finds a missing chapter from the Egyptian Book of the Dead, and when he reads part of the incantation, he finds his astral self sent to a dimension where the spirits of an undead army call out to their leader Ghaglan to finish the incantation so that they can return to their mummified bodies and commit acts of evil in his name.

The explorer feels himself drawn back to his body and his fellows tell him that a man named Ghaglan removed the scroll from his hands to revive him. He turns with apprehension to face Ghaglan, who tells him with a smile that he has been looking for this scroll for a very long time.

The entire issue was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

Edited by Dick Giordano.

Challengers of the Unknown #75

Challengers of the Unknown #75 (On Sale: June 2, 1970) has a Jack Kirby reprint cover with a George Tuska frame around it.

"Ultivac is Loose" s  a reprint of the Challengers of the Unknown's second appearance from Showcase #7. The story is written and drawn by Jack Kirby. Hmm, why is DC reprinting so much Kirby lately?

Felix Hesse, a war criminal, and Floyd Barker have created a living computer named Ultivac. Hesse asks the Challengers of the Unknown for help when the robot resists control. The Challengers agree to help, but Hesse is abucted away from them. Ultivac creates Hesse doubles to act as agents in retrieving materials for him.

The Challengers enlist the aid of robotics specialist, Dr. June Robbins. Red and June trail one of the Hesse doubles back to Ultivac’s headquarters. June befriends Ultivac which allows Red, Hesse, and Barker to overcome him (it?). Rather than turn Ultivac over to the government, Hesse and Barker try to use Ultivac for their personal gain. Ultivac breaks loose and take June with him.

He creates a double of himself which is destroyed by the Challengers, but June convinces him to meet humanity half way and work with them. At a public hearing, an angry Hesse blasts Ultivac and kills Rocky in the process. Rocky is revived from the dead and Ultivac is converted into a immobile computer.

June has earned the right to become a Challenger and joins the team.

Edited by Murray Boltinoff.

Wednesday, May 19, 2010

Hot Wheels #3

Hot Wheels #3  (On Sale: May 19, 1970) has an adequate cover by Neal Adams, but it gives the book a tone that does not in any way match the interior. It puts the emphasis on the bad guys and relegates the heroes to very small heads in the police car and, of course, the obligatory headshots running down the left panel.

Now this may seem like a minor criticism, but this book was really Alex Toth's baby, and he had a particular product that he wanted to sell, and it was about the characters and their interaction with their cars. Alex had done a number of car books by this time and he knew how to deliver one of those, but I think he was aiming for something more accessible to kids than what DC had in mind.

Nothing points that out clearer than the cover by Alex that was rejected by DC. It puts forth the same idea, that the kids are working with the police and are being shot at. However, it changes the emphasis, moving it away from the bad guys and putting it clearly onto Jack Wheeler.

Alex even employs the unusual design choice of having Jack's head in the left margin do the talking. This moves those obligatory headshots from static window dressing to active participant in the cover. It is a brilliant idea on Toth's part. I just have to wonder what Dick Giordano's problem was with Toth's ideas here.

I have this book near but not in hand right now, so I cannot give this the detail it deserves. The book begins with "Stakeout," a 13-pager by Joe Gill, Alex Toth and the horrific Vinnie Colletta.  Colletta could destroy just about anyone's pencils and he certainly sucked the mood right out of Toth's work here. Toth demands a bread, assured stroke and Colletta was never in possession of one. The only bright side to the artwork on this issue is that it is the last time that someone else will ink Toth's Hot Wheels pencils and that is a very good thing.  

The back-up story is  "The Raid of the Red Baron," an 8-page tale drawn by Ric Estrada and Dick Giordano.

The book was edited by Dick Giordano.

Tuesday, April 27, 2010

Late Again

My mother had her second stroke in three years earlier this month and I have not been in the state of mind to read or comment on comics. As a result, I have fallen far behind in keeping this site up-to-date, though it is 40 years late already. Hopefully, my mental and emotional faculties will return shortly and I can get back to this. I ask for you patience. Thanks.

Friday, April 9, 2010

Girls' Romances #149

Girls' Romances #149 (On Sale: April 9, 1970) has a cover inked by Vinny Colletta.

We begin with our cover-story "That Kind of Girl" drawn by Ric Estrada and Vince Colletta (personally, I always loved those kinds of girls!). Next is "You Can't Lie About Love" drawn by Mike Sekowsky and Bernard Sachs. We end with "Too Good to Be Loved" drawn by Murphy Anderson.

Edited by Murray Boltinoff.

Wednesday, April 7, 2010

Young Romance #166

Young Romance #166 (On Sale: April 7, 1970) has a cover by persons unknown.

We begin with "Please, Please, Someone, Love Me" drawn by John Rosenberger. Next is "A Price on My Love" and then "Just No Good." We end with "Love Pass Me By" drawn by Ric Estrada and Vinny Colletta.

Edited by Joe Orlando.

Sugar and Spike #90

Sugar and Spike #90 (On Sale: April 7, 1970) has a cover by Sheldon Mayer.

We begin with"What's a Flumsh?" by Sheldon Mayer and reprinted in Best of DC #47. We end with "Window-Box" also by Sheldon Mayer.

Edited by Murray Boltinoff

G.I. Combat #142

G.I. Combat #142 (On Sale: April 7, 1970) has a Haunted Tank cover by Joe Kubert.

We begin with the Haunted Tank in "Checkpoint -- Death" by Robert Kanigher and Russ Heath and reprinted in Showcase Presents: Haunted Tank Vol. 2 TPB. Next is "The Garbage Hero" by Bob Haney and Sam Glanzman. We end with "The Last Survivors" by Robert Kanigher and Russ Heath.

Edited by Joe Kubert.

Binky #73

Binky #73 (On Sale: April 7, 1970) has a cover by Henry Scarpelli.

We begin with "Lucky Binky" by John Albano, Winslow Mortimer and Henry Scarpelli and reprinted in Best of DC #39. Next is "The Great Bar-Bell Chase" and that is followed by "A Message to Peggy" by John Albano, Bob Oksner and Henry Scarpelli and also reprinted in Best of DC #39. We end with "Sherwood's Turn-On Gets Turned Off."

Edited by Joe Orlando.

Friday, April 2, 2010

Unexpected #119

Unexpected #119 (On Sale: April 2, 1970) has a cover by Nick Cardy.

We begin with "Mirror, Mirror on the Wall, Who's the Deadliest of All?" drawn by Bernie Wrightson. That is followed by "The Swampchild" by Carl Wessler, Werner Roth and Frank Giacoia. Next is "Rachel Isn't Ready to Die" by George Kashdan, Sid Greene and Vinny Colletta. We next have "Rest in Pieces" drawn by Murphy Anderson and reprinted in Unexpected #160. We end with "A Phantom in the Tree" by Murray Boltinoff and Jerry Grandenetti.

Edited by Murray Boltinoff.

Superboy #166

Superboy #166 (On Sale: April 2, 1970) has a cover by Neal Adams.

We begin with our cover-story, "Here Lies the Real Superboy" by Frank Robbins, Bob Brown and Mike Esposito. The back-up is "The Kryptonite Conqueror" also by Frank Robbins, Bob Brown and Mike Esposito.

Edited by Murray Boltinoff.

Secret Hearts #144

Secret Hearts #144 (On Sale: April 2, 1970) has a cover inked by Dick Giordano.

We begin with "Run -- Heart -- Run" inked by Vinny Colletta. Next is "Meet You in Paris, Love?" pencilled by Murphy Anderson. We end with our cover-story, "Second Hand Love" drawn by Ric Estrada and Vince Colletta.

Edited by Dick Giordano.

House of Secrets #86

House of Secrets #86 (On Sale: April 2, 1970) has a nice cover by Neal Adams.

This one has a framing sequence drawn by Bill Draut featuring Abel and of course, Goldie. After a page we are led into "Strain" drawn by George Tuska, the story of man tearing through the night, trying to put some distance between him and the life he has just destroyed. As he is car careens through the night he suddenly hears a strange musical strain, of such beauty that he stops his car to find its source. He is drawn to the house it emanates from and entering he is further drawn down dark corridors till he finally finds the source. His wife, Martha is at a piano playing. Seeing her he knows he has been saved, but the music is so compelling he can't concentrate so finally he he grabs her hands to make her stop.

Only it is no longer his wife, the one her murdered earlier tonight, it is instead an old hag, who says she is there to avenge his wife. She quickly slams the keyboard cover on his fingers and he finds himself back in his car, slamming into a tree. When the police find him the next day they note that his fingers are oddly bruised.

Next is "The Golden Tower of the Sun" by Gerry Conway and Gray Morrow. This one is not really a comic story but an illustrated text story. I have a confession to make here. I never read the text stories and still have some sort of block against doing so, so I don't know what this story is about, save what I can make out from the wonderful Gray Morrow illustrations. It appears to be the story of a rock and roll singer and some sort of spiritual or inter-dimensional travel.

Next is our cover-story, "The Ballad of Little Joe" by Gerry Conway and Bill Draut, or as he is credited here, Big Bad Bill. Jonathan Poe lives alone in his large house, just him and his puppets and his memories. His favorite puppet seems to be the pink-haired Little Joe, who is always breaking and whom Jonathan is constantly repairing. Through it all Little Joe's face is always laughing and Jonathan wonders if it is because he has made him that way or if Little Joe actually has something to laugh about.

Not nearly so funny is Jonathan's daughter, Sheila, who sees her father's obsession with his puppets as unhealthy. He tells her that since he has outlived the rest of the family, what is wrong with "My puppets! A shadow tracing of life--and for this you think me addled." The sky suddenly burst into fire and Jonathan sees it as a sign from heaven while all Sheila sees is heat lightening. She says when she returns tomorrow she will have a lawyer and a sheriff and they will deal with Jonathan.

As this is happening inside the house a portal is opening and a member of the Quaros, an alien race existing beneath the Earth's crust and out to conquer the surface steps into the room and grabs Little Joe. Jonathan returns just as the portal closes, and wonders who could have come in and stolen Little Joe. Far beneath the Earth, the Quaros work on Little Joe and using some miracle machine manage to bring him to life. They tell Little Joe that in return for his life he must betray the people of Earth and they send him back on some mission to do just that.

But when he steps through the portal and into Jonathan's workshop he wakes up the sleeping Jonathan and tells him of the Quaros's plans to conquer the Earth. Seeing this the Quaros decide to kill them both and open the portal once again, aiming a huge ray gun through it. As the gun fires Little Joe leaps in front of Jonathan, taking the full power of the blast. Seeing this Jonathan's heart gives out and he dies.

In the silence of the room, the now restored to a puppet Little Joe weeps for his maker. When Sheila returns the next day and finds her dead father she regrets how she had treated him and sees that she has a lot to make up for. She picks up Little Joe and takes him with her.

We end with a small two-page strip that made the rounds of the DC horror books for a few months. It is entitled "The Day After Doomsday" and they are all illustrated by Jack Sparling. In this one it is a week later and a solitary man pulls himself out of the rubble of the city. He walks around for a bit, the last man on Earth, when suddenly he is shot at. He ducks behind a building and sees his assailant, a beautiful blond woman. He implores her to put down the gun for the sake of humanity, that it is up to them to rebuild the human race and to get it right this time. He tells her his name is Adam. She replies, "Really? My name is Gertrude!"

The entire book was reprinted in Showcase Presents: The House of Secrets Vol. 1 TPB.

Edited by Dick Giordano.

Challengers of the Unknown #74

Challengers of the Unknown #74 (On Sale: April 2, 1970) has a very nice cover featuring the Challs and mentioning Deadman.

The 23-page "To Call a Deadman" brings together not only the Challengers of the Unknown and Deadman, which seems like a match made in heaven, but als features Johnny Double in his first appearance since his Showcase tryout. The story is by Denny O'Neil and the artwork is by George Tuska, except for the panels featuring Deadman which are drawn by Neal Adams. I thought putting Deadman and the Challs together was a brilliant idea that would save this book, but of course, I was wrong. Starting next issue the Challengers of the Unknown became a reprint book; DC wasn't even waiting to see if Deadman helped out sales. This strange tale was reprinted in World's Finest Comics #230 and Deadman Collection HC.

The one-page filler this issue is "Dark as Death" by Murray Boltinoff and Bernie Wrightson.

Edited by Murray Boltinoff.

Wednesday, March 31, 2010

Our Army at War #220

Our Army at War #220 (On Sale: March 31, 1970) has an awesome Sgt. Rock cover by Joe Kubert.

Our Sgt. Rock cover-story is "Stone-Age War" written and illustrated by Joe Kubert. This story was reprinted in Sgt. Rock #318. Next is "The Last Soldier" by Robert Kanigher, Ross Andru and Mike Esposito. We end with a U.S.S. Stevens story, "The Idiot" by Sam Glanzman.

Edited by Joe Kubert.

Saturday, March 27, 2010

Dick Giordano, R.I.P.

Dick Giordano died this morning. I was re-reading Hot Wheels #2 (March 17, 1970) for this blog last night, late as usual, and thinking what a stupid and utterly lame idea for a comic book this was. And what a magnificent series this turned out to be and the reason it was not the disaster it should have been was Dick Giordano. As editor he pulled together an amazing team, from the actually exciting scripts of Joe Gill and Alex Toth and Len Wein to the wonderful covers of Neal Adams and Alex to the even better pencils of Alex and Ric Estrada and later Neal and the glue that held the interior artwork together, some amazing, just dazzling, inks by Dick himself.

Dick Giordano had his hands on more of the comic books that I loved in those important early teen years than any other person in comics. The Marvel people had Stan Lee, but I never felt welcomed in by Stan. Dick Giordano on the other hand welcomed me into his books and seemed genuinely interested in what I and other fans had to say and he was nice enough to actually thank us at the end of each letter column for buying the book and joining in on the fun he had a hand in creating. I felt at home at DC because Dick Giordano made me feel that way.

I feel a hole in my heart the size of a child's wide-eyed enthusiasm. Thank you Dick, but this one is not going to be a very good afternoon.

And I sincerely mean that thank you. Thank you Dick, for the best series I ever read, the Skeates/Aparo/Giordano run on Aquaman, a series that was likely to go anywhere at any time and always do it with style and the greatest of artistry, Thank you for the Secret Six, the Mission:Impossible of comics that made me appreciate the non-super-hero books for the first time. Thank you for The Hawk and the Dove and the Creeper and the excitement that Ditko brought to DC if only for a little while. Thank you for the Teen Titans issues with the Wein/Wolfman controversy, Wonder girl's uniform, the sexiness of uniformless heroes, and the great artistry of Neal and Gil and George and of course and always Nick Cardy. Thank you for Hot Wheels, the greatest TV show/Toy/Comic book cross-over ever. Thank you for mixing a little more humor into the horror with The House of Secrets and even more humor in The Witching Hour, those early issues being more fun than chilling.

Thank you for knowing when to stay out of the way and let your writers write and your pencilers pencil and your inkers ink and for letting Nick Cardy create one amazing masterpiece after another. Thank you for bringing us Steve and Jim and Denny. Thank you for proving over and over again the pencils do not have to be weak to be improved by the inker. Thank you for some of the better parts of my childhood.

-Keller

Friday, March 26, 2010

Detective Comics #399

Detective Comics #399 (On Sale: March 26, 1970) has a great cover by Neal Adams.

Our cover-story is "Death Comes to a Small, Locked Room" by Denny O'Neil, Bob Brown and Joe Giella. During a demonstration for cadets at the Gotham City Police Academy, Batman embarrasses Khan, a master of judo, karate and kung fu. When an enraged Khan comes after Batman with a steel identification bracelet across his knuckles, Batman decks him. In steps Arthur Reeves, the mayor's new Public Works Coordinator and soon to be a regular pain in Batman's backside.

Reeves wants to know what Batman is hiding behind that mask, why he isn't up front and out in the open. When Batman asks Reeves if that is what he believes in and Reeves answers in the affirmative, Batman lifts up Reeves toupee and quickly ducks out a window.

A month goes by and the incident quickly slides form Batman's memory till one night, 30 days later Batman is called to the site of Khan's training school which has been destroyed in a furnace explosion with Khan inside. Reeves shows up and accuses Batman of maybe causing the explosion to get back at Khan and Batman suggests that Reeves stick to sharing his fantasies with his barber.

Gordon and Batman have an appointment to get to, a séance of some sort to which they have been invited in an invitation that hinted at "solving a crime if we show." As they pull into the parking lot in Gordon's cruiser the car is strafed with machine gun bullets and crashes into a tree. As the machine gun-toting thug comes out to inspect his handy-work, Batman takes him out. Just then a man appears, "Big Dough" Joe Brunner a man sent to the pen by Gordon who is now out and wants to thank Gordon for setting his life straight. After he leaves Gordon wonders is "Big Dough" might not be behind the attack, but Batman says if he is, they know where to find him.

Inside the séance they meet the Great Dilbert--Medium Extraordinary who says he will "zummon spirits of dead!" He begins and the "spirit" has a message for Batman. The spirit seems to be speaking in Khan's voice and says that since Batman humiliated him in life he will humiliate Batman in death by killing Commissioner Gordon at midnight tomorrow. The lights go out and zee Great Dilbert has skedaddled. Batman says that Dilbert was a ventriloquist and wore a high collar to hide the movement of his throat muscles.

The next night Reeves tries to lock Gordon into a sealed vault for his protection, but one of the guards is actually Batman, who once again makes Reeves look life a fool. But the embarrassment just keeps on coming as Batman reveals that Gordon is not Gordon but actually the Great Dilbert. Pulling of Dilbert's mask and handing it to him Batman explains that "Gordon" was too clean shaven to have been on the job all day. Dilbert says that he might as well tell them where Gordon is really being held, but as he attempts to do so he dies from a poison on the outside of the Gordon mask Dilbert was holding. As he dies Dilbert says "D...do...j...jo..." and one of the guards says that it is obvious that the filler is "Big Dough" Joe Brunner, AKA Dough Joe.

Reeves sends men out to pick up Joe Brunner, but Batman has other ideas and heads back to Khan's training school, or dojo! There in a fireproof vault under the rubble Batman confronts and takes out Khan before he can harm Commissioner Gordon.

The back-up is Robin in "Panic by Moonglow" by Frank Robbins, Gil Kane and Vinny Colletta. Continuing from last issue where the moon rock turned geeky student Herb Stroud squeaky green and all, raising a panic within NASA, but leaving Robin with that not so subtle taste of hoax in his mouth. So much so that he went and checked out the shower Herb used, finding some funny smelling soap and a massive headache when someone slammed his head into a wall and stole the soap of questionable properties. When Robin comes around it is with the help of Zukov, the Russian exchange professor, whose hands have that tell-tell smell of gimmicked out soap.

The campus is quarantined by NASA so Robin needs a place to crash and Zukov offers his cottage guest-room. using a stolen stethoscope, Robin listens in as Zukov and some cronies hidden under his floor discuss their plan to make NASA look irresponsible for "polluting our glorious planet," losing public support and dropping out of the space race so that the Soviets can get their moon program on track and once again be the leaders in space. But first they want to get Robin out of the way.

However, when they kick down the door to his room, he has of course fled the scene and is heading for the science-hall to retrieve the lunar rock sample. After skirmishing with some of Zukov's men, Robin comes in through the roof, but gets his cape caught on a piece of broken glass, hanging him up in the air. Zukov shows up with a pencil laser gun he used to drill a hole into the glass case containing the moon rock, so that he could inject a secret gas that could be triggered by cosmic rays to turn the rock and Herb a lovely shade of green. Now he plans to use the same pencil to drill a hole into Robin's brain, but Robin slips out of his cape and collar and swings into the darkness on a batrope (or do we call this a robinrope?)

Shooting wildly after Robin's ever-moving voice, Zukov severs one of the legs of a Lunar Module on display and it crashes down on him with a satisfying KRUNCH! With Robin's information the NASA people are able to determine that Herb has been exposed to a Russian nerve-virus and they are able to give him an antidote in time to stave off the bitter green end. This story has been reprinted in Showcase Presents: Robin the Boy Wonder Vol. 1 TPB.


Edited by Julius Schwartz.

Adventure Comics #393

Adventure Comics #393 (On Sale: March 26, 1970) has a cover by Curt Swan and Murphy Anderson.

Our cover-story is "The Unwanted Supergirl" by Robert Kanigher, Winslow Mortimer and Jack Abel. The back-up is "The Girl Who Knew Supergirl's Secrets" by E. Nelson Bridwell and Kurt Schaffenberger.

Edited by Mort Weisinger.

Action Comics #388

Action Comics #388 (On Sale: March 26, 1970) has a cover by Curt Swan and Murphy Anderson. I remember falling for this cover gag and trying to count everything that was wrong on it.

Our cover-story is "Puzzle of the Wild World" by Cary Bates, Curt Swan and George Roussos. I think the answer to the cover question was that nothing was wrong, that on the planet it was depicting, everything was normal, but it has been a while and I might have that wrong. As I have mentioned earlier, I sold most of my Weisinger books in the late 70s.

The back-up Legion of Super-Heroes story is "Sun Boy's Lost Power" reprinted from Adventure Comics #302 and created by Jerry Siegel and John Forte. After attending the dedication of a Sun Boy statue, Sun Boy finds that his powers of heat and light have stopped working. With the help of the Legionnaires, he tries to recharge himself by duplicating the accident that gave him those powers, but to no avail. After his powers briefly return in an entomologist’s office, he invites Ultra Boy and Superboy to concentrate their heat vision powers on him, still with no effect. Heartbroken, he resigns from the Legion, just as Kranyak, his old foe, breaks prison and comes after him.

More worried than before, Sun Boy realizes what it will take to recharge his powers, and deliberately walks into the blast of a Kryptonian flame-beast. With his abilities restored, he defeats Kranyak, and rejoins the Legion. He then explains that he needed the heat-energy of a living being to restore his power, and the Ultra Boy and Superboy present are robots, sent to take those heroes’ places while they celebrate Pete Ross’s birthday in the 20th century.

Edited by Mort Weisinger.

Wednesday, March 24, 2010

Superman's Girl Friend Lois Lane #101

Superman's Girl Friend Lois Lane #101 (On Sale: March 24, 1970) has a cover by Curt Swan and Murphy Anderson.

We begin with our cover-story,"The Super-Reckless Lois Lane" by Leo Dorfman and Irv Novick. The back-up is "The Anti-Superman Lois" from Superman's Girl Friend Lois Lane #13 and drawn by Kurt Schaffenberger. Lois Lane goes undercover as blond-haired Sadie Blodgett to get a story. Two members of the Anti-Superman Gang see her and decide to use her in a plot to kill Superman, by having her impersonate Lois Lane. The crooks train her to be Lois, while she plays dumb. The crooks pull off their scheme, but Lois had tipped off Superman. He foils their plan and captures them.

Edited by Mort Weisinger.

Girls' Love Stories #151

Girls' Love Stories #151 (On Sale: March 24, 1970) has a cover attributed by GCD to John Rosenberger, but is obviously the work of the great Nick Cardy.

This issue begins with our cover-story, "The Wrong Kind of Love" drawn by John Rosenberger and Vince Colletta. Next is "Love Thief" drawn by Joe Giella. We end with "Confessions, Episode 5" drawn by John Rosenberger.

Edited by Joe Orlando.

Date With Debbi #9

Date With Debbi #9 (On Sale: March 24, 1970) has a cover by I don't know.

We have four Debbi stories this issue, "The Hitchhiker," "Debbi's Secret Weapon," "Not Worth a Scent" and "Where the Action is." No creator information is available on this book.

Edited by Dick Giordano.

Friday, March 19, 2010

Three Mouseketeers #1

Three Mouseketeers #1 (On Sale: March 19, 1970) has a cover by Rube Grossman.

Here is a series I don't recall ever even seeing on the stands, reprinting stories from Three Mouseketeers #1 of 1956. The stories featureing the Three Mouseketeers are "Brave Deed," "Temper, Temper," "Air-Minded," "The Explorers" and "The Problem." The final story featues Dizzy Dog and is "Say It with Music." All artwork is by Sheldon Mayer.

Edited by Dick Giordano.

Swing With Scooter #27

Swing With Scooter #27 (On Sale: March 19, 1970) has a cover by Henry Scarpelli.

This issue begins with three Scooter stories: "Double Trouble," "Gift Package" and "Sylvester's Meat is Dutch Treat." It ends with two Malibu tales: "Weird Do We Go from Here?" and "It's Only Fate -- Not My Date." I have no creator information.

Edited by Joe Orlando.