Date With Debbi #3 (On Sale: March 18, 1969) cover where Debbi has the same dark eyes as last two issues, so I am going to guess that this is also the work of Samm Schwartz.
Inside Debbie stars in "The Brain Game" and "The Cave-Man Cometh" by persons unknown. In the latter, Debbi wants Buddy to act more like a caveman.
Flowers stars in an untitled story drawn by Phil Mendez in which the Flower family gets evicted.
We end with another Debbie story, "The Minor Becomes a Drum Major" by Henry Boltinoff.
This is the first of only three stories Phil Mendez would draw for DC comics, one in this and the next issue of Date With Debbi and one in Kissyfur #1 in 1989.
Phil Mendez started a comic strip in the Mercury Shopper’s Guide at the age of sixteen and was hired by Dancer-Fitzgerald-Sample at the age of eighteen as an assistant art director on the General Mills account. Phil freelanced on comic books at Charlton in 1966 and DC in 1969. He worked as a storyboard artist, head designer and layout director for Totem Productions' Voyager (NASA).
In 1970 he worked at Disney Studios on the feature film Robin Hood. He then worked for Fred Calvert Productions and Ron Campbell Films on projects including Nanny and The Professor, Sesame Street and the IBM specials The Great Blue Marble.”
Mendez designed presentations and layout work for Hanna-Barbara Productions on The Flintstones, The Jetsons, Scooby-Doo, The Yogi Bear Show, Hong Kong Phooey, The Buford Files, The Partridge Family, The Banana Split Show and more. He was hired by Mark Davis in 1975 as his assistant to design attractions for Disneyland where he worked on Fantasyland rides, Epcot Center and concept work for future Disney Projects.
He started his own company, Phil Mendez Productions, in 1982 where he designed the original presentation and characters for An American Tail and “Rose Petal Place. He created the children’s shows Kissyfur and Foofur, and he wrote The Black Snowman which won the Martin Luther King “Living the Dream Award” in 1991 (to date the book has sold over 1.7 million copies.) You can see much of Phil's work on his website. You never know who you are going to find in these old DC Comics.
Edited by Dick Giordano
Inside Debbie stars in "The Brain Game" and "The Cave-Man Cometh" by persons unknown. In the latter, Debbi wants Buddy to act more like a caveman.
Flowers stars in an untitled story drawn by Phil Mendez in which the Flower family gets evicted.
We end with another Debbie story, "The Minor Becomes a Drum Major" by Henry Boltinoff.
This is the first of only three stories Phil Mendez would draw for DC comics, one in this and the next issue of Date With Debbi and one in Kissyfur #1 in 1989.
Phil Mendez started a comic strip in the Mercury Shopper’s Guide at the age of sixteen and was hired by Dancer-Fitzgerald-Sample at the age of eighteen as an assistant art director on the General Mills account. Phil freelanced on comic books at Charlton in 1966 and DC in 1969. He worked as a storyboard artist, head designer and layout director for Totem Productions' Voyager (NASA).
In 1970 he worked at Disney Studios on the feature film Robin Hood. He then worked for Fred Calvert Productions and Ron Campbell Films on projects including Nanny and The Professor, Sesame Street and the IBM specials The Great Blue Marble.”
Mendez designed presentations and layout work for Hanna-Barbara Productions on The Flintstones, The Jetsons, Scooby-Doo, The Yogi Bear Show, Hong Kong Phooey, The Buford Files, The Partridge Family, The Banana Split Show and more. He was hired by Mark Davis in 1975 as his assistant to design attractions for Disneyland where he worked on Fantasyland rides, Epcot Center and concept work for future Disney Projects.
He started his own company, Phil Mendez Productions, in 1982 where he designed the original presentation and characters for An American Tail and “Rose Petal Place. He created the children’s shows Kissyfur and Foofur, and he wrote The Black Snowman which won the Martin Luther King “Living the Dream Award” in 1991 (to date the book has sold over 1.7 million copies.) You can see much of Phil's work on his website. You never know who you are going to find in these old DC Comics.Edited by Dick Giordano
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1 comment:
Well, who ever wrote this up sure knows my history.
Phil Mendez
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